Producer
Simon Chambers is shooting a film in India when his uncle David calls him with a message of doom: “I think I may be dying.” What the viewer doesn’t yet know is that David is a total drama queen, a former actor and teacher, and a Shakespeare-lover who has grown old on a diet of attention and applause. Chambers returns to London to look after his uncle and capture his final stages of life on camera.
Director of Photography
Simon Chambers is shooting a film in India when his uncle David calls him with a message of doom: “I think I may be dying.” What the viewer doesn’t yet know is that David is a total drama queen, a former actor and teacher, and a Shakespeare-lover who has grown old on a diet of attention and applause. Chambers returns to London to look after his uncle and capture his final stages of life on camera.
Editor
Simon Chambers is shooting a film in India when his uncle David calls him with a message of doom: “I think I may be dying.” What the viewer doesn’t yet know is that David is a total drama queen, a former actor and teacher, and a Shakespeare-lover who has grown old on a diet of attention and applause. Chambers returns to London to look after his uncle and capture his final stages of life on camera.
Director
Simon Chambers is shooting a film in India when his uncle David calls him with a message of doom: “I think I may be dying.” What the viewer doesn’t yet know is that David is a total drama queen, a former actor and teacher, and a Shakespeare-lover who has grown old on a diet of attention and applause. Chambers returns to London to look after his uncle and capture his final stages of life on camera.
Director
Orissa, India - where tribal people fight with their bows and arrows against multinational mining moguls from London. The filmmaker, aided by two endearing, bumbling local guides, searches for answers amongst conflicting allegations, as the truth becomes more and more elusive. A humorous film about a serious subject.
Himself - Narrator
Two Bangladeshi girls born and raised in London have weddings arranged for them against their will by their family. Shahanara, the rebel of the family, banished from the family in her teens for being "too Western", has to swap her pink hot pants for a sari as she goes off to the airport to meet her new Bangladeshi husband. Her sister Hushnara is the opposite of Shahanara; a devout Muslim who agrees to marry so she doesn't upset her parents.
Cinematography
Two Bangladeshi girls born and raised in London have weddings arranged for them against their will by their family. Shahanara, the rebel of the family, banished from the family in her teens for being "too Western", has to swap her pink hot pants for a sari as she goes off to the airport to meet her new Bangladeshi husband. Her sister Hushnara is the opposite of Shahanara; a devout Muslim who agrees to marry so she doesn't upset her parents.
Producer
Two Bangladeshi girls born and raised in London have weddings arranged for them against their will by their family. Shahanara, the rebel of the family, banished from the family in her teens for being "too Western", has to swap her pink hot pants for a sari as she goes off to the airport to meet her new Bangladeshi husband. Her sister Hushnara is the opposite of Shahanara; a devout Muslim who agrees to marry so she doesn't upset her parents.
Screenplay
Two Bangladeshi girls born and raised in London have weddings arranged for them against their will by their family. Shahanara, the rebel of the family, banished from the family in her teens for being "too Western", has to swap her pink hot pants for a sari as she goes off to the airport to meet her new Bangladeshi husband. Her sister Hushnara is the opposite of Shahanara; a devout Muslim who agrees to marry so she doesn't upset her parents.
Director
Two Bangladeshi girls born and raised in London have weddings arranged for them against their will by their family. Shahanara, the rebel of the family, banished from the family in her teens for being "too Western", has to swap her pink hot pants for a sari as she goes off to the airport to meet her new Bangladeshi husband. Her sister Hushnara is the opposite of Shahanara; a devout Muslim who agrees to marry so she doesn't upset her parents.
