Aurora Miranda

A biography of the Portuguese-Brazilian singer Carmen Miranda, whose most distinctive feature was her tutti-frutti hat. From her arrival in the US as the "Brazilian Bombshell" to her Broadway career and Hollywood stardom in the 1940s.

Earning her living by dubbing American TV Series, a woman dreams of becoming an international Hollywood star.

Once Upon a Mouse is a theatrical featurette highlighting Disney's animated legacy starting with Steamboat Willie in 1928.

Documentary on famous Brazilian actresses, female directors and the role of women in Brazilian film history.

For Donald's birthday he receives a box with three gifts inside. The gifts, a movie projector, a pop-up book, and a pinata, each take Donald on wild adventures through Mexico and South America.

Brazil is perhaps the best of the handful of US films made by Brazilian singing sensation Tito Guizar. In typical screwball-comedy fashion, the plot is set in motion by authoress Nicky Henderson, who has hit the best-seller charts with her latest tome, Why Marry a Latin? While researching her next book in Rio De Janeiro, she finds out "why" when she meets handsome songwriter Miguel Soares. Upon learning about Nicky's book, Miguel decides to teach her a few lessons in the affairs of the heart. Edward Everett Horton is also on hand, twittering his way through the role of a well-meaning buttinsky. Thanks to the "Good Neighbor" policy of the 1940s, South American musicals were a glut on the market, but Brazil was good enough on its own merits to pay its way at the box office.

A mystery woman is a murder suspect's only alibi for the night of his wife's death.

A man in charge of a publicity campaign for bananas decides to kidnap the Queen of 'Bananaland', a tropical island paradise, and take her to Rio, where she falls in love with a member of Carmen Miranda's backing ensemble, 'Bando da Lua'.

Two authors go look for a business to finance their dream musical.

A man is looking for a radio singer named "Dulcineia." For this, he goes through the biggest hassles and problems. The plot, in fact, is an excuse for the exhibition of the musical numbers of the greatest Brazilian Radio artists.