Robert Broderick

Carlotta Darley (Dean) is engaged to Homer Carleton (Crosby), but regrets that Homer is not as tall and handsome as the butler Peter (Kerry).

Harry Caton, a popular New York musical-comedy star, loses his voice on stage and then journeys to a small town on the New England coast to recuperate. Here Harry meets the beautiful Nancy Potter when he defends her against the drunken advances of Silas Jones, her father's friend. Although his daughter believes that he is a fisherman, Cail Potter is actually a thief, robbing houses along the coast with Silas as his accomplice. When Cail robs the wealthy Col. Brett's home, he finds an old miniature of a woman who exactly resembles Nancy, whom Cail rescued from a wrecked boat when she was just a year old. Soon after the robbery, Harry learns that the police are about to raid Cail's house, but Silas knocks him unconscious when he attempts to warn Nancy.

In the days before the U.S. enters World War I Marion Ashley, an American woman living in Paris, discovers that her husband, Franz Jorn, is a spy. So she leaves him and goes to the neighboring (and fictional) neutral nation of Belmark to stay with her father, an American Ambassador. After she hears her husband has been killed, she resumes an old romance with the Crown Prince and they go through a secret morganatic marriage ceremony.

When Mary O'Brien falls in love with Ernest Randall, the younger son of an English baronet, she gives herself completely to him and becomes pregnant. Her father (Robert Broderick), an Irish gentleman, finds this out and demands that she marry Randall.

Rozika is a Hungarian girl who can sing quite nice. She goes to the place known as the United States with her brother whose name happens to be Young Carl. Rozika marries a chap named Trevor and a predicament ensued after the Great War comes knocking at the door.

A silent romantic drama film directed by Hugh Ford and Edwin S. Porter

On the lam from the New York Police because of a false murder charge, playboy Brooke Travers escapes to a Central American banana republic.

Hazel Dawn starred as Clarissa, who upon graduating from a private girl's school learns that her widowed father has remarried. At first resentful of her new stepmother (Dorothy Bernard), Clarissa slowly warms up to the woman. Later on, the heroine falls in love with a handsome attorney named Gambier (James Kirkwood), only to be disillusioned when she catches the attorney and the stepmother in a warm embrace.

While traveling incognito through his kingdom, Prince Ludwig of Saxe-Tholberg becomes infatuated with Katrina, the daughter of innkeeper Hermann Ardelheim, but their idyll is interrupted by the arrival of a courier bearing the news that Austrania has threatened war. Katrina is heartbroken to discover the identity of her sweetheart whom she can never hope to marry. After Ludwig's departure, Katrina overhears the plotting of two spies and with the help of her brother Roalf, she confronts them. In the ensuing struggle, Katrina kills one of them, who turns out to be the Austranian ambassador. Although Katrina admits her crime, Marshal von Trump plans to execute Roalf in order to pacify the Austranians. Katrina appeals to Ludwig, who pardons Roalf over the advice of his counselors causing Austrania to declare war. A crucial battle is fought near the Ardelheim inn, during which Katrina becomes a heroine by signaling the advance of Ludwig's troops.

A young girl, Anemone ( Mary Pickford ), who lives with her Aunt ( Ida Waterman ) is abducted by a crude family of Virginia mountain moonshiners. A fight between two of the young male relatives decides who will marry the girl. Lancer ( James Kirkwood ) is the winner and marries Anemone against her will. She is reunited some time later with her Aunt, but when she learns Lancer is in dire trouble she returns and stays by his side, realizing she had always been in love with him.

An officer in the U.S. Cavalry sacrifices his reputation to save that of the unfaithful wife of his superior officer.

This elaborate and well-staged silent version of Hertz' play is exceedingly well produced for 1913: it starts off by introducing the actors by name and role, then showing them in double exposure in street clothes and in costumes. The production values are also elaborate and the look of the set designs reminds one of the elaborate backdrops that Melies used in his shots.