Barbara Scoppa

We are in 2030, and on vacation we go to Mars! Having made his wife and son Giulio lose his tracks for years, Fabio (Christian De Sica) is about to marry the wealthy Bea on Mars. But what could happen if during an excursion into space, something goes wrong and Giulio suddenly becomes a sprightly old man (Massimo Boldi)? Between hilarious unexpected events and amusing misunderstandings, Fabio will find himself dealing with a seventy-year-old son and a marriage that is in danger of jumping ...

Two temp workers, a pensioner and an old bully discover the sport of curling by chance and, convinced of their potential, plan to compete at the 2006 Winter Olympics in Turin.

Mero, a skilled shipyard worker, is a single father. His son Lorenzo, born from a relationship with an Albanian girl, is his only reason for living. The father dreams that the boy will become a champion boxer, to make up for his own anonymous career as an amateur in the ring. This is why he puts him through a tough training program, teaching him day after day to throw punches and protect himself from life's low blows. The balance of this relationship is disturbed by the return of Lorenzo's mother Denisa and by the son's meeting with young Ana. Mero's trials are not over and he must face up to pain, his prejudices and the remoteness of Italy's north east.

Geremia, an aging tailor/money lender, is a repulsive, mean, stingy man who lives alone in his shabby house with his scornful, bedridden mother. He has a morbid, obsessive relationship with money and he uses it to insinuate himself into other people's affairs, pretending to be the "family friend". One day he is asked by a man to lend him money for the wedding of Rosalba, his daughter. Geremia falls in love at first sight with the bewitching creature and and soon indulges in a "beauty and the beast" relationship...

A middle-aged man’s relationship with a young model is questioned by his daughter, who’s dating an older man herself.

From childhood to fatherhood, Piero learns things the hard way while growing up in a working-class neighborhood of Livorno.

Marco, a television journalist, reads "red lies" on his teletext system in order to gather material on the homosexual world for a story he's working on. Unfortunately, he is implicated in a series of murders in which the victims are all gay. Marco becomes a suspect and is forced to investigate the crimes himself in order to prove his innocence.

The teenage son of an architect falls for an older woman, an attractive housewife of his father's client.

Two stage actors leave on a tournée, but there's a matter to be settled: one has become the lover of the other's girlfriend and since they are very good friends, cannot bring himself to tell him.

"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.

Frenetic in its pacing and with miniscule character development, this trite slapstick farce stars three Italian comics - Paolo Villaggio, Lino Banfi, and Massimo Boldi as the idiot-nephews of a wealthy invalid (Enrico Maria Salerno). The uncle's plan is to teach the trio how to successfully steal for a living but the plan does not have a chance against their exaggerated ineptitude.

Nicola, a cop, spies on his wife Sarah buying sexy black panties and realises that she is having an affair. Following a violent confrontation, he leaves her. Immediately after, whilst taking a shower, Sarah is stabbed to death with an icepick. Believing it to be an simple crime of passion, the police assign Inspector Pierro Terzi to bring his former colleague in. But Professor Anna Berardi, a criminal pyschologist who is friends with both men, believes the Nicola is innocent. She suggests that the real killer is Franco Tribbo, a maniac known as "The Midnight Killer" who supposedly died in a hospital fire several years previously. Terzi is not conviced but Nicola is killed and the murders continue...

Amelia and Pippo are reunited after several decades to perform their old music-hall act, imitating Fred Astaire and Ginger Rogers, on a TV variety show.