Fabrizio Bordignon

7 Sins is divided into seven segments, each one unique in its voice, acting, story, and style. While the seven deadly sins are cemented in Catholic Theology and are always the same, the interpretation by any single person is always different, and this assemblage is no exception. This film uses the themes within its subtext and introduces, and then wildly perverts, the punishments associated with the 7 Deadly Sins. The overall atmosphere is one of uneasiness that, in addition to a fair amount of disturbing visuals, is amplified by its pulse-pounding soundtrack.

Elisa is only forty when an incurable disease takes her from her husband and their daughter. Before her heart stops, Elisa finds a way to stay close to her: a gift for every birthday up to her adult age, 18 gifts to try to accompany her child's growth year after year.

In the suburb of Rome a musician is looking for something original to complete his musical production. A girl is trying to work as a second-hand dealer recovering old objects. One step at a time their passions will bring them together.

A Romanian girl dreams of living the glamorous life she sees in Italian soap operas.

Twenty years ago Marco's father was brutally murdered by a cold-blooded serial killer known as the Crazy Dog. Since then, he has been ceaselessly trying to unveil the chain of events that have resulted in dad's death. Marco contacts Raul Chinna, a well-known criminologist that has made the Dog's bloody legacy his very own field of expertise. As soon Marco and Chinna start to recall the past, they both have to face the fact there is another man obsessed by the murders of Crazy Dog: David Moiraghi, a journalist who's been working for decades on the serial killer. As the truth starts slowly to emerge from the mists of time, Marco has to acknowledge that there is maybe something more that links professor Chinna and Moiraghi. The thin line between truth and fiction starts slowly to blur while Marco is forced once again to face his worst nightmares all over again.

Back in late 1963, a Belgian nun known only as Soeur Sourire, or Sister Smile, topped America's pop music charts with the relentlessly cheerful tune "Dominique," from an album of 12 songs that sold 1.5 million copies. From the little that is known of the ill-fated nun's life, Italy-based American writer-director Roger Deutsch has made the boldly speculative yet persuasive Italian-language film "Suor Sorriso" in which the nun (Ginevra Colonna) emerges as a tormented, unstable woman who abruptly left the convent after her recording triumph before taking her final vows. Running a shelter for wayward girls, she and another ex-nun (Simona Caparrini) enter a passionate, tumultuous and destructive affair. Colonna's volcanic Deckers craves spiritual redemption as well as the other woman's love but is so beset by demons that she embarks on a flamboyant, drug-fueled downward spiral that ultimately engulfs her lover as well as herself.