Vilhjálmur Ragnarsson

When Larry is officially named the Happiest Man in the World, he has no idea the effect that fame will have on his love life.

On a warm summer's day in the not too distant future, Ireland's first divorce case is unravelling on national television. The lives of several neurotic middle class couples are followed as they reflect on their relationships in the context of legalised divorce.

On a warm summer's day in the not too distant future, Ireland's first divorce case is unravelling on national television. The lives of several neurotic middle class couples are followed as they reflect on their relationships in the context of legalised divorce.

Victor is the story of a conscientious if somewhat withdrawn traffic warden who through a series of mishaps finally finds his place in life. While the setting is unusual the film addresses a wide range of emotions and morality; Love, deceit, frustrated longings and human dignity. Victor, the eponymous hero of the film, is torn between his desire for the supermodel Kate le Font and the genuine affection of his co-worker Herdis. Victor's story comes to a head when a crooked traffic warden accuses him to hide his own crimes. With Herdis' help our hero narrowly avoids disaster. In a surprisingly complex plot, the film illustrates the dangers of repressed emotions, the liberating power of love and the ultimate triumph of good. All this takes place within the microcosmic context of the traffic warden's world which becomes a reflection of all human drama.

Victor is the story of a conscientious if somewhat withdrawn traffic warden who through a series of mishaps finally finds his place in life. While the setting is unusual the film addresses a wide range of emotions and morality; Love, deceit, frustrated longings and human dignity. Victor, the eponymous hero of the film, is torn between his desire for the supermodel Kate le Font and the genuine affection of his co-worker Herdis. Victor's story comes to a head when a crooked traffic warden accuses him to hide his own crimes. With Herdis' help our hero narrowly avoids disaster. In a surprisingly complex plot, the film illustrates the dangers of repressed emotions, the liberating power of love and the ultimate triumph of good. All this takes place within the microcosmic context of the traffic warden's world which becomes a reflection of all human drama.

Victor is the story of a conscientious if somewhat withdrawn traffic warden who through a series of mishaps finally finds his place in life. While the setting is unusual the film addresses a wide range of emotions and morality; Love, deceit, frustrated longings and human dignity. Victor, the eponymous hero of the film, is torn between his desire for the supermodel Kate le Font and the genuine affection of his co-worker Herdis. Victor's story comes to a head when a crooked traffic warden accuses him to hide his own crimes. With Herdis' help our hero narrowly avoids disaster. In a surprisingly complex plot, the film illustrates the dangers of repressed emotions, the liberating power of love and the ultimate triumph of good. All this takes place within the microcosmic context of the traffic warden's world which becomes a reflection of all human drama.

Victor is the story of a conscientious if somewhat withdrawn traffic warden who through a series of mishaps finally finds his place in life. While the setting is unusual the film addresses a wide range of emotions and morality; Love, deceit, frustrated longings and human dignity. Victor, the eponymous hero of the film, is torn between his desire for the supermodel Kate le Font and the genuine affection of his co-worker Herdis. Victor's story comes to a head when a crooked traffic warden accuses him to hide his own crimes. With Herdis' help our hero narrowly avoids disaster. In a surprisingly complex plot, the film illustrates the dangers of repressed emotions, the liberating power of love and the ultimate triumph of good. All this takes place within the microcosmic context of the traffic warden's world which becomes a reflection of all human drama.

Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913. Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island. Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson). The film's score features traditional folk music.

A middle aged worker does all he can to provide his wife and daughter with good living conditions. They are ungrateful and do not return his affections. When he has an accident at work and goes home in the afternoon, he finds the time to think about how to solve the communication problems in his family. This takes however an unforeseen route.

A middle aged worker does all he can to provide his wife and daughter with good living conditions. They are ungrateful and do not return his affections. When he has an accident at work and goes home in the afternoon, he finds the time to think about how to solve the communication problems in his family. This takes however an unforeseen route.

In search of kicks in Reykjavik in the year 2000, a pretty teenager, Stella, teams up with a handsome alcoholic, Robbi, and in a stolen car careers through Iceland with unexpected and bizarre consequences.

In search of kicks in Reykjavik in the year 2000, a pretty teenager, Stella, teams up with a handsome alcoholic, Robbi, and in a stolen car careers through Iceland with unexpected and bizarre consequences.

Alexander, a twenty-year-old student, his girlfriend and a schoolmate discover the ins and outs of film-making while shooting a documentary about his family. A gallery of humorous, off-beat characters is revealed, who's seemingly ordinary lives conceal bitter divorces, passionate second marriages, vengeance, luck and misfortune, crime and punishment.

Lilla discovers that she'll be getting a new doll for christmas so she decides to throw the old one away, but once she falls asleep bad dreams start to haunt her.

Lilla discovers that she'll be getting a new doll for christmas so she decides to throw the old one away, but once she falls asleep bad dreams start to haunt her.

Follows the adventure of a group of kids and a paper boy named Peter. Plane ride, box car racing and bad neighbours are all included. Iceland's submission for the Academy Award for Best Foreign Language Film in 1990

Willy, seven years old, is more interested in books than sports while his father, ex-football star, is determined to make a football player out of him. Willy realizes that he cannot live up to his father's expectations but feels compelled to give him what he always wanted. One day, Willy finds a solution to the problem.

Magnús is a 45-year-old lawyer, whose routine is upset by the personal news that he is suffering from cancer. This causes Magnús to stop and think about himself, his life and his family. If his life is going to end sooner than he expected, he wants to know how much it's been worth to him. Has life been worth living? Is it worth fighting for; is it worth a struggle against death? He takes a look at his family, a group of ordinary people, who are the colourful heroes of everyday life, struggling along in a world far removed from the world of high finance, power politics and international intrigues, but yet to them their lives are lives of high adventure. Those adventures, from the sublime to the ridiculous, form the storyline of the film, told against the background of Magnús' dilemma.

An important and stunning documentary on whales and modern whaling with historical and scientific background. Most of the footage was shot specifically for this film in the North Atlantic and there are some shots of whale behavior that have never been captured on film before. The film is a significant contribution to the debate on the whaling controversy.

This film is about a ten year old girl, Edda, who is taking part, for the first time, in the famous Icelandic horse tournament at Hella. Together with her girlfriend, the two children travel on horseback over mountains and rivers to reach Hella, some 100 km South of Reykjavík. After a two day journey they reach their destination where over 5,000 people have gathered for the tournament. Edda has been practicing her riding for over a year and now the big day has finally come.

The smugglers, who come from Europe and the United States of America, steal the eggs of the arctic gerfalcon and transport them in private planes to Germany. The young birds are then sold for $50,000 each, usually to wealthy Arabs. The white falcon is the biggest and strongest falcon in the world; tragically most of them die when exposed to the heat of the desert. The film investigates the methods of the smugglers and shows interviews with falcon dealers, policemen, animal protectors in Europe and America and includes authentic shots from a "falconbust" in Cologne, Germany.

This corporate documentary was filmed on the sands of the south coast of Iceland and describes the construction of the road and the bridge over the great glacial river Skeidará, the last obstacle impeding the completion of the road around Iceland. Riders demonstrate how the river used to be crossed, and take us on the old route over the glacier, which was used when the river was in spate.