Sound
It is a warm afternoon in Mexico City; Cornelio and Fabiola are finishing their workday. While they pass through different points of the center and Cornelio narrates the world to Fabiola - In the spaces of silence-; a game of love and intimacy is revealed.
Sound Recordist
Art is the way in which some children from San Gregorio, Atlapulco, sublimate their trauma when witnessing the 2017 earthquake in Mexico.
Color Timer
Immersive documentary which takes us n an intimate journey to the inner life of public baths through the voices of three characters: Felipe, the main clerk since 1984; Juana, a street sweeper in Mexico City's downtown; and Jose, a frequent client of more than forty years. Bath of Life becomes a confessionary for those who gather around the same place: the sauna.
Color Timer
Bartolomé, a teacher in a multigrade school on the mountains of Chiapas in Mexico, knows well that pedagogy is not based on textbooks and cannot fit behind the four walls of a classroom. A true sower of knowledge unravels his philosophy and method and becomes a beacon of hope for the creation of a humanistic model of education based on curiosity and love for the outside world.
Sound Director
Artemio was born in U.S.A. Now he lives in a small town in Guerrero with his mother and his new family. Despite his roots in Mexico, he still doesn’t feel like a part of it. Together, they will show us a reality where the distance from those they left behind will come to life in every phone call.
Colorist
Minotaur takes place in a home of books, of readers, of artists. It’s also a home of soft light, of eternal afternoons, of sleepiness, of dreams. The home is impermeable to the world. Mexico is on fire, but the characters of Minotaur sleep soundly.
Color Timer
The story of a family marked by tragedy gives rise to a reflection on memory, emotional ties, family secrets and the difficulty for new generations of knowing and accepting life events.
Color Designer
Two brothers, Samuel and Rodrigo, live with their mother in a suburban town. One day the mother, who has mental health problems, disappears leaving nothing behind but a note. David Pablos is a young Mexican filmmaker, born in 1982. His first short film, El mundo al atardecer, was made in 2007. La canción de los niños muertos (2008) was his second short film; he presented his first feature-length film Una frontera, todas las fronteras (2010) at the Berlinale Talent Campus before coming to Venice with his second film, La vida despues, for the 70th Venice International Film Festival.
