L'Aubergiste
The history of one of France's most famous streets is retold, featuring multiple performances from Guitry himself.
The gratuitous murder of his father and the misery of the people, aggravated by a succession of bad harvests, lead Gaspard, a great admirer of Mandrin and blacksmith by profession, to revolt. With his companion Samplan, he finds himself at the head of a handful of soldiers dissatisfied with their fate and a band of brigands. They steal money from the rich to give it to the poor, like highwaymen, vindicators with a big heart. In their eyes, things cannot go on like this, in this country which seems given over to the decadence of the nobility and the whims of an indolent king. Gaspard and his troupe are responsible for making it known.
Cochu, a simple soldier, is mistakenly believed to be a rich heir which causes many problems.
In Britain, during the revolution, the nephew of the Marquis de Lantenac, Gawain (P. Capellani) befriends Cimourdain (H. Krauss), a priest who follows the precepts of the Revolution. During the Terror, the Marquis went into exile in England while his nephew is a soldier in the Revolutionary Army ...
Dixmer
The scene takes place in Paris in March 1793 during the Reign of Terror. The Knight of Maison-Rouge, posing as Citizen Morand, is organizing the escape of Queen Marie-Antoinette. He is assisted in his undertaking by Dixmer, a master tanner who passes himself off as an ardent revolutionary and his wife Geneviève, who also happens to be the Knight's sister. While on mission with her brother, she is saved from arrest thanks to the intervention of Lieutenant Maurice Lindey. Geneviève, who is married without love to Dixmer, falls for the young man, who requites her love. A tunnel is dug between a house rented by Dixmer and the Tower of the Temple but the various attempts to rescue the queen attempts fail. Marie-Antoinette risks the guillotine/ Moreover, Lindey finds himself involved in the plot...
Collot d'Herbois
This film is not exceedingly well acted, but has the additional charm of being taken from the actual history of the man whose personality dominated the Committee of Safety in the early days of the French Revolution. It's tragic but enthralling, and full of the atmosphere of those more than troublous times of the French Revolution, when blood was shed like water and men seemed turned to beasts.
Based on the novel by Alexandre Dumas.
Directed by André Calmettes and Henri Desfontaines.
