Grisha Pasternak

In a case of mistaken identity, the world’s deadliest assassin, known as the Man from Toronto, and a New York City screw-up are forced to team up after being confused for each other at a rental cabin.

Golden boys, teen lust, self-conscious dolls, chance encounters, a vengeful creature, holiday romance, hidden sexuality — Boys On Film celebrates it's (not so) sweet sixteen with an astonishing selection of the latest international gay short films. Volume 16: Possession features ten complete films: Kai Stänicke's "Golden" with Christian Tesch and Maximilian Gehrlinger; Christopher Manning's "Jamie" starring Sebastian Christophers and Raphael Verrion; Kai Stänicke's "B." starring Susanne Bormann and Andreas Jähnert; Blake Mawson's "PYOTR495" starring Alex Ozerov; Charlie Francis's "When A Man Loves A Woman" starring Tommy Jay Brennan, Jemima Spence, and Diane Brooks Webster; Anthony Schatteman's "Follow Me" starring Ezra Fieremans and Maarten Ketels; Jake Graf's "Chance" starring 'ABS' and Clifford Hume; Andrew Keenan-Bolger's "Sign" starring John McGinty and Preston Sadleir; Oliver Mason's "Away With Me" starring Chris Polick and Lee Knight; and "We Could Be Parents" by Björn Elgerd.

Set one evening in present-day Moscow, 16-year-old Pyotr is baited by an ultra-nationalist group known for their violent abductions and attacks bolstered by Russia's LGBT Propaganda Law, but Pyotr has a dangerous secret.

Natasha takes place over the course of one summer. It is the story of Mark Berman, 16, the son of Russian-Jewish immigrants living in the suburbs north of Toronto. When his uncle enters into an arranged marriage with woman from Moscow, the woman arrives in Canada with her fourteen year-old daughter, Natasha. Mark, a slacker, is conscripted by his parents to take responsibility for the strange girl. He learns that, in Moscow, she’d led a troubled and promiscuous life. A secret and forbidden romance begins between the two of them that has bizarre and tragic consequences for everyone involved.

Lithuania―circa 1941: An embittered elderly Shomer, a religious watchman responsible for guarding the souls of the dead before their burial, comes face-to-face with his long lost first love Leah when her dead body is wheeled into the morgue one fateful night. Time melts as he relives their days and nights spent hiding in a barn in Lithuania, fighting for survival as World War Two rages around them. Brought together in these extreme circumstances, what starts as mistrust develops into love, marriage and ultimately murder. In the end, the Shomer is able to find peace after a lifetime of regret by fulfilling a promise he made to the young Leah on their last night together. ~ Naomi Jaye. THE PIN is the first Yiddish film to be made in Canada, and was partly inspired by the writer/director’s late grandmother, Leah, whose personal phobia formed the core of this moving story.