Bernard Randall

A newspaper owner discovers that his girlfriend's father is the head of the biggest racket in New York City.

The heir to a fortune will only receive his inheritance if he spends the night in a supposedly haunted house.

An aspiring dancer fakes her own kidnapping as a publicity stunt. Her new found fame causes trouble with her boyfriend.

A New York fur saleswoman falls for a man she meets on the subway and must decide if she wants to accept a much dreamed for work transfer to Paris, or stay and get married.

Bob Howard, a WWI wounded soldier in a army hospital, meets and falls in love with Princess Elena. When the Armistice is signed, he is quickly shipped back home to America. Returning to Europe, he is mistaken as a Crown Prince traveling to be married to a Princess from another country. The Princess-bride, intended for another man, is his Elena.

Maggie, a headlining comedienne with the Follies, takes a fall off the stage into the orchestra pit and lands on the drum of musician Al Cassidy. One thing leads to another, they fall in love and get married. Al becomes a famous songwriter and Maggie stays home and has children. One day Al is hired to write a big number for Selma Larson, one of the Follies' most beautiful stars, and falls for her.

Cattlemen attempt to keep their lands and herds from being overrun by nesters.

Ponjola is a 1923 American silent drama film based on the novel of the same name by Cynthia Stockley and directed by Donald Crisp. The film stars Anna Q. Nilsson in a role in which she masquerades as a man. A print of Ponjola still exists and is held by a private collector.

The French Doll (1923)

A romantic comedy, focusing on the love triangle between Bob Jones, Alysia Potter and Polly Meachum. Originally engaged, Bob and Alysia elope to Bowling Green, Connecticut, where they meet Silas Meachum, a campaigner against motion pictures, and his daughter, Polly. The eloping couple’s family arrive, chasing them, and persuade them to wait to get married. Polly goes to New York to join the Ziegfeld Follies, but is ultimately replaced by Alysia. As Bob consoles Polly, Alysia breaks off the engagement, and Bob and Polly may now marry.

The defense attorney who was unable to obtain the acquittal of an innocent young man concocts a complicated and diabolical scheme to revenge himself upon the prosecutor.

This serial, starring boxer Leslie King, is presumed lost.

Big Steve and Little Lefty, a pair of hobos, are happily drifting through life until the First World War comes and enter it and find their lives forever changed.

According to Richard Standhope's will, both his daughter Laura and her long-lost twin brother Larry must be reunited by a certain date, or the estate will revert to her avaricious guardian, Andrew Brean. Following Standhope's death, Laura and her sweetheart, Jim Watson, read in her deceased mother's diary that Andrew had broken up the Standhopes' marriage soon after the twins' birth by unjustly accusing Mrs. Standhope of infidelity. Laura was then sent to boarding school, while little Larry, placed in his father's care, was neglected and later became a thief. As Laura and Jim ponder Larry's whereabouts, the house is robbed by none other than Larry, now called "the Kid," and his cohort, "the Snail."

A patriotic but short American man tries without luck to qualify for the Army, but can't get in until a knock on the head raises a lump high enough for him to pass the height requirement. Meanwhile, his lady friend decides to become a Secret Service agent, though she is unable to keep the fact a secret, even from the German spies she hopes to apprehend.

Young, innocent, confiding, it is a shock to Ann Fenton to learn that her supposed husband is not a business man, but a gambler, and that her marriage is bigamous. The child is taken from her by a Helping Hand Society and apprenticed to a brutal farmer. She is left upon her own resources. Seven years later Fenton again crosses her path, but she finds happiness in honorable marriage while her betrayer is taken away to face a murder charge, and the Song of the Soul now rises in full, pure tones from the breast of the happy wife and mother.

In the prologue Sharon Kimm and Mickey Reid are childhood friends in a tenement neighborhood but are separated when Sharon is placed in an orphanage. In the story we see Sharon as a young Hollywood star whose quick rise to fame leaves her self-centered, superficial, and a spendthrift. Ironically, the film that skyrocketed her to fame was written by Mickey. But her success is brief; and when it comes crashing to earth, Mickey is there to pick up the pieces.