Recorded Live at The Olympic Auditorium in Los Angeles CA on October 29 2005. Setlist: 01 - Intro - 02 - I Shot Reagan - 03 - War Inside My Head - 04 - Subliminal - 05 - Ain't Gonna Take It - 06 - Suicidal Failure - 07 - We Are Family - 08 - Possessed to Skate - 09 - I Saw Your Mommy - 10 - Waking the Dead - 11 - Show Some Love... Tear It Down! - 12 - Cyco Vision - 13 - Two-Sided Politics - 14 - Won't Fall In Live Today - 15 - Institutionalized - 16 - Pledge Your Allegiance
Documentary that gives a voice to the percentage of youth that were outcasts/non-conformists in the 90's. Interviews many famous musicians and other celebrity personalities, who talk about their being outcasts as youths, in school etc., leading up to their successes in adult life, and how being an outcast/non-conformist played a role in their artistic expression.. Also touches upon the topic of teen suicide & depression.
High school misfits Stoney and Dave discover a long-frozen primeval man buried in their back yard. But the thawed-out Link—as the boys have named him—quickly becomes a wild card in the teens' already zany southern California lives. After a shave and some new clothes, Link's presence at school makes the daily drudgery a lot more interesting.
Explore the art of rebellion in Suicidal Tendencies: Lights, Camera, Revolution, which intersperses taped live performances with interview clips, backstage glimpses, and road antics. Songs on the video include "War Inside My Head," "Possessed to Skate," and "Trip at the Brain." This video was meant to accompany the album Lights, Camera, Revolution, but the song list differs slightly.
Excellent documentary about the very early LA hardcore punk scene that almost seems accidental. Upon visiting LA in the summer of '81 the film maker notices that strangely enough Punk doesn't seem to be dead in L.A., but on the contrary, there seems to be a massive teenage movement going on. He decides to make a short documentary about it. As he says (not without irony); "Since everything happens a few years earlier in the US, I can show the parents back home what's in store for them". He was ofcourse witness to the baby steps of the hardcore scene. This is the only documentary of the era that is not sensationalizing or mythologizing. It doesn't talk to any of the scene "stars" but rather follows a few disenfranchised suburban kids and runaways (in Venice beach I think). A rare look into a self destructive and nihilistic scene, where the main motives seem to be restlessness and soul crushing boredom. Perhaps one of the very few documentaries that give this era a human face.
