Commentator
A man, who once dreamed of becoming a punk rocker, is working as a low salaryman at a musical instrument parts company. He's secretly in love with his colleague. One day, he finds a little turtle on the rooftop, naming it Pikadon.
In the year 2045, after the re-militarization of Japan, conflict erupts in Korea, and Japan is destroyed in the ensuing nuclear war. A survivor uses an old computer in the "zone" to produce a documentary from photographs, interviews and newsreels, reconstucting the last 100 years of Japanese history
Seiji works on construction sites. He sympathizes with Hosaka just back from Thailand. Together, they spend their evenings in bars with Thai girls. On a construction site, they meet Takeru, a member of the hip-hop collective of the city.
Self
Making of documentary for Sion Sono's magnum opus "Love Exposure".
Zero Church Priest
The story of a teenage boy named Yu, who falls for Yoko, a girl he runs into while working as an "up-skirt" photographer in an offshoot of the porn industry. His attempts to woo her are complicated by a spot of cross-dressing – which convinces Yoko that she is lesbian – dalliances with kung-fu and crime, and a constant struggle with the guilt that's a legacy of his Catholic upbringing.
The film is told in three acts, beginning with a historical background of Japan's student movement of the 1960s and early 1970s, mostly using archive footage and a narrator. The second act follows the formation of the group to their mountain training camps in the southern Japanese Alps. It emphasizes the dogmatic (and eventually hypocritical) bullying of the group by Mori and Nagata, with 12 members being killed for infractions as small as improperly cleaning a gun, wearing make-up, and kissing. The third act shows the splitting up of the group after two members run off. It follows one group of five members to Karuizawa and a hostage-taking and police standoff known as the Asama-Sansō incident.
Self
Making-of documentary for Masao Adachi's "Prisoner/Terrorist"
Japanese film directed by Ten Shimoyama.
