Edward Petherbridge

Croydon, 1977. A trio of punk teenagers goes to a party to meet girls, but they find that girls there are very different from what they expected.

Alice Kingsleigh returns to Underland and faces a new adventure in saving the Mad Hatter.

A 9th century woman of English extraction born in the German city of Ingelheim disguises herself as a man and rises through the Vatican ranks.

The film is set in France in the 1990s, the French were defeated by the Germans early in World War II, an armistice was signed in 1940 which effectively split France into a German occupied part in the North and a semi-independent part in the south which became known as Vichy France. In reality the Vichy government was a puppet regime controlled by the Germans. Part of the agreement was that the Vichy Government would assist with the 'cleansing' of Jews from France. The Vichy government formed a police force called the Milice, who worked with the Germans...

Guy Crouchback joins the war effort during World War 2, an idealistic quest to join the forces of good in the fight against evil. But his efforts is not rewarded, he never has any chance to join any real fighting, circumstances always prevent it. Instead he finds himself in the middle of an army full of cowards, incompetents and a few outright evil men. They of course reap the fortunes of war, promotions and fame, but never Crouchback. His war is just an endless list of transfers and an hopeless but noble quest for righteousness.

Scrooge is a miserly old businessman in 1840s London. One Christmas Eve he is visited by the ghost of Marley, his dead business partner. Marley foretells that Scrooge will be visited by three spirits, each of whom will attempt to show Scrooge the error of his ways. Will Scrooge reform his ways in time to celebrate Christmas?

Liverpool. 1947. Right after World War II, a star struck naive teenage girl joins a shabby theatre troupe in Liverpool. During a winter production of Peter Pan, the play quickly turns into a dark metaphor for youth as she becomes drawn into a web of sexual politics and intrigue and learns about the grown-up world of the theater.

A British Company in the WWI trenches await an inevitable German attack in this 1988 adaptation of R.C. Sherriff's play.

When Pericles discovers the dread answer to Antioch's riddle, he flees for his life straight into famine, shipwreck, love, fatherhood, and another shipwreck; he loses his wife and daughter, and doesn't find them again until the story moves us through resurrection, attempted murder, pirates, prostitution, and divine revelation.

An aging King invites disaster when he abdicates to his corrupt, toadying daughters and rejects his one loving, but honest one.

When stones begin miraculously arranging themselves on the edge of one young man's private land, he and his friend begin trying to decipher them in any way possible. When they realize that it might be a dark portent, they become desperate to achieve their goal before it is too late.

Like NIGHT OF THE DEMON, this adaptation is based only very loosely on the original ghost story by M.R. James. However, it does feature eerie scenic views and is directed by Lawrence 'Ghost Story for Christmas' Gordon Clark.

Man of leisure Sir Richard receives notification that his Uncle has died, bequeathing him his stately country manor and all its lands. On his return to England he immediately sets about taking stock of all legal matters concerning his new property, but during these dealings Sir Richard seems to be more than a little distracted, he hears strange noises from the ash tree outside his bedroom window.

A touring company of actors arriving at a theatre, rehearsing and preparing a performance of a revue based on the book 'Knots' by R.D. Laing, devised by Edward Petherbridge

A touring company of actors arriving at a theatre, rehearsing and preparing a performance of a revue based on the book 'Knots' by R.D. Laing, devised by Edward Petherbridge

Four wealthy, middle-class friends gather for a Christmas dinner in a country cottage only to find that the past will not rest while they feast.