Andrew Magarian

Barry Munday, a libido-driven wage slave who spends all his time either ogling, fantasizing about or trying to pick up women, wakes up in hospital after a freak attack only to find that his testicles have been removed.

Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left unexpectedly with Maggie and forgets that Melanie was to take her to school. As a result, both children miss their school field trip and are stuck with the parents. The two adults project their negative stereotypes of ex-spouses on each other, but end up needing to rely on each other to watch the children as each must save his job. Humor is added by Sammy's propensity for lodging objects in his nose and Maggie's tendency to wander.

An airline pilot and his wife are forced to face the consequences of her alcoholism when her addictions threaten her life and their daughter's safety. While the woman enters detox, her husband must face the truth of his enabling behavior.

After being driven to extinction, great bloodthirsty dinosaurs come back to life with the assistance of a demented genetic scientist. She plans to replace the human race with a super-race of dinosaurs who will not pollute the planet.

This is the story of the two babies who were switched at birth. A few years later when one of the girls gets sick and tests revealed that she was not the daughter of the couple who raised her. Eventually she dies. And the couple most especially the mother, search for their real daughter. Eventually they suspect that it's a widower who has their child. Now while they try to find out if she is their daughter, the widower is advised by his attorney not to be so hasty to cooperate, cause if she is their daughter, he might lose her, and she is all he has.

A novelist's wife and son see him changed by an apparent encounter with aliens in the mountains.

Terrifying Tales contains three independently-produced shorts running about 20 minutes apiece. Only one of the three; Paul Bunnell's "Final Destination: Unknown" (copyrighted 1989), is actually horror. The other two; Armand Garabidian's "Ten Seconds to Countdown" (copyrighted 1986) and Ephraim Schwartz's "Creatures of Habit" (also 1986), are, respectively, science fiction and drama with only slight mystery components. The three used here are connected only in that they were shorts made by UCLA graduate students. Sadly, none of them is very good. The opening title screens and closing credits have been left intact for each.