Jeff Hyslop

A classic British pantomime version of the tale of Aladdin and the Lamp. The evil vizier Abanazar tries to manipulate Aladdin and his mother, Widow Twankey, into helping him acquire the magic lamp. But with the help of the Genie of the Ring, Aladdin wins through and captures the heart and hand of the Princess. Music, singing, dancing, and merriment throughout.

Lester and Humphrey are the Royal Jester and Doctor, respectively, in a Kingdom terrorized by a mysterious giant whose presence is known only by his horrible voice and giant shadow. The giant takes the crown jewels which permit the Evil Prince Malokeo to convince the King to let him marry Princess Marigold. Marigold, horrified at the prospect and in love with Prince Daryl, turns to her friends Lester and Humphrey for help.

Lester and Humphrey are the Royal Jester and Doctor, respectively, in a Kingdom terrorized by a mysterious giant whose presence is known only by his horrible voice and giant shadow. The giant takes the crown jewels which permit the Evil Prince Malokeo to convince the King to let him marry Princess Marigold. Marigold, horrified at the prospect and in love with Prince Daryl, turns to her friends Lester and Humphrey for help.

Brent Carver stars as the swashbuckling Pirate King in the famous Stratford Festival's rollicking production of the Gilbert & Sullivan classic that pits British bobbles against unlikely pirates on the Cornish coast. Sullivan regarded this operetta - a hit ever since its first production in New York in 1879 - as the best comedy he composed. He even said of his collaborator, "The libretto is ingenious, clever, wonderfully fun in parts and sometimes brilliant in dialogue - beautifully written for music, as is all Gilbert does." Indeed, audiences will find the music every bit a match for the lyrics, with the genius of the score lying in its parody of grand opera. Filmed in 1985 at the world-famous Stratford Shakespeare Festival in Stratford, Ontario.

Robert Ross (Brent Carver) lives a protected adolescence in a well-off Toronto suburb. Secretive and withdrawn, he shares his thoughts only with his sister Rowena (Anne-Marie MacDonald) who is mentally disabled. He feels compassion for his weak and conventional father. He avoids any confrontation with his mother (Martha Henry), a dominating woman whose despondency at having given birth to a handicapped child has turned to bitterness. Rowena occupies a central position in Robert's existence of daydreams and make-believe. When she dies, Robert clashes openly with his family, and decides to take himself in hand. It's 1914. He enrolls in the Canadian army, and, after training in Alberta and Montreal, he finds himself in England and France. The war becomes another way for him to resolve his conflicts, his dramas, his passions--his wars.

Recounts the last days of Jesus Christ from the perspective of Judas Iscariot, his betrayer. As Jesus' following increases, Judas begins to worry that Jesus is falling for his own hype, forgetting the principles of his teachings and growing too close to the prostitute Mary Magdalene. After Jesus has an outburst in a temple, Judas turns on him.