Idea
After her father's death, Anna Peterson and her family move from Australia to her father's ancestral home in New Zealand.
Producer
Why is everyone out to sabotage him? Cliff Rowan has been hired to recover a stolen payroll hidden in the rugged Australian hills and mountains near his boyhood town. But instead of a warm welcome and helping hand, his former sweatheart, his old school friends, and in fact, practically the whole town...want him out! When his friend, Riley, is needlessly killed, Cliff realizes the buried strongbox holds more than cold cash. The mystery unfolds.
Director of Photography
When the clubhouse of a group of country kids, known as the "Terrible ten" needs money for funding they invent numerous ways to make money. During their attempts at making puddings and selling mineral water they stumble on a formula for breeding coloured sheep.
Producer
When the clubhouse of a group of country kids, known as the "Terrible ten" needs money for funding they invent numerous ways to make money. During their attempts at making puddings and selling mineral water they stumble on a formula for breeding coloured sheep.
Producer
This promotion for the Edmonds Baking Powder Company features beloved radio personality Aunt Daisy (Maud Ruby Basham). Its narrative is entrenched with the gender stereotypes of 1950s suburbia.
Cinematography
This promotion for the Edmonds Baking Powder Company features beloved radio personality Aunt Daisy (Maud Ruby Basham). Its narrative is entrenched with the gender stereotypes of 1950s suburbia.
Director
This promotion for the Edmonds Baking Powder Company features beloved radio personality Aunt Daisy (Maud Ruby Basham). Its narrative is entrenched with the gender stereotypes of 1950s suburbia.
Director of Photography
Tom Sullivan, a young Pakeha journalist researching a series of exploitative, tabloid articles on "the" Maori people becomes a casual labourer on a Mahia Peninsular farm. The emotional liaison he forms with Rawi, a young Maori woman exposes the racism engendered by the particular social attitudes and expectations of that time.
Director
Tom Sullivan, a young Pakeha journalist researching a series of exploitative, tabloid articles on "the" Maori people becomes a casual labourer on a Mahia Peninsular farm. The emotional liaison he forms with Rawi, a young Maori woman exposes the racism engendered by the particular social attitudes and expectations of that time.
