Old Man Willie
Fatso is the proprietor of what may be the worst eaterie in the city, and is struggling to keep a sinking ship afloat. His compulsive gambling is getting the better of him and he has to contend with an endless succession of loan sharks and debt collectors. He employs hopelessly incompetent staff and generally manages to keep the entire community around him ticking over. However just as Fatso seems to be getting everything under control, he is faced with a dilemma that could destroy him for good.
Mr O'Halloran
Based on the best selling autobiography by Irish expat Frank McCourt, Angela's Ashes follows the experiences of young Frankie and his family as they try against all odds to escape the poverty endemic in the slums of pre-war Limerick. The film opens with the family in Brooklyn, but following the death of one of Frankie's siblings, they return home, only to find the situation there even worse. Prejudice against Frankie's Northern Irish father makes his search for employment in the Republic difficult despite his having fought for the IRA, and when he does find money, he spends the money on drink.
Tavern Keeper
A young man leaves Ireland with his landlord's daughter after some trouble with her father, and they dream of owning land at the big giveaway in Oklahoma ca. 1893. When they get to the new land, they find jobs and begin saving money. The man becomes a local barehands boxer, and rides in glory until he is beaten, then his employers steal all the couple's money and they must fight off starvation in the winter, and try to keep their dream of owning land alive. Meanwhile, the woman's parents find out where she has gone and have come to America to find her and take her back.
Callaghan
Docudrama film exploring the efforts of World in Action researchers Ian MacBride and Chris Mullin in proving that the "Birmingham Six" only admitted to the bombing under extreme duress, and that the five IRA members were in fact responsible for the deadly attacks
Father Michael
Bosco Hogan plays Joyce's alter-ego, Stephen Daedelus, growing up in Ireland in the early part of the 20th century, and at odds with the strictures of his Catholic home and family. The film charts his search for knowledge and understanding, during a decline in his family's circumstances, that leads him to revelations on the nature of art, beauty and politics. However his personal renaissance makes him feel unwelcome in his own country, and forces him to make a choice between exile as artist or staying and facing personal defeat.
Two crime families battle for supremacy in 1929 Chicago in this Italian crime spoof. One group, known as the "Sons of Mammasantissima" thereby professes its (ironic) dedication to the Virgin Mother. The other family works undercover from a Salvation Army soup kitchen. Neither family seems capable of accomplishing anything of note until a wily Sicilian arrives on the scene and sorts things out.
Bob Doran
Dublin; June 16, 1904. Stephen Dedalus, who fancies himself as a poet, embarks on a day of wandering about the city during which he finds friendship and a father figure in Leopold Bloom, a middle-aged Jew. Meanwhile, Bloom's day, illuminated by a funeral and an evening of drinking and revelry that stirs paternal feelings toward Stephen, ends with a rapprochement with Molly, his earthy wife.
Shamrock Attendant
Thomas Crimmins is a new warder, or guard, in an Irish prison. He is young, naive, and idealistic, determined to serve his country by his part in meting out justice to criminals. His superior, Regan, however, realizes that even prisoners are human beings, and Regan is sick of the eye-for-an-eye attitude that leads the state to execute condemned men, or "quare fellows." Crimmins begins to see that not all is black and white in his new world, and when he becomes involved with Kathleen, the wife of one of the condemned men, his attitude begins to change. When new evidence arises to suggest that Kathleen's husband may not deserve his fate, Crimmins is torn between his duty and his humanity.