Konstantin Irmen-Tschet

The further trials of the wealthy Emmentaler farming family Jowäger and their neighbors, adapted from the second volume of the 19th century novel by Jeremias Gotthelf (pen-name of Albert Bitzius).

The trials of the wealthy Emmentaler farming family Jowäger, adapted from the 19th century novel of the same name by Jeremias Gotthelf (pen-name of Albert Bitzius), which was also published in two parts.

The farmers of a village decide to postpone the construction of a new school in profit of a concentration to cheese production. From a novel by Jeremias Gotthelf.

Der 10. Mai (The Tenth of May) was the date in 1940 that Hitler invaded the Low Countries: Belgium, Holland and Luxembourg. Neutral Switzerland, which hadn't experienced a war since the 14th century, hurriedly fortified its borders with battalions of inexperienced soldiers. The panic, confusion and isolated acts of courage which occurred on that fateful day are re-created in this Swiss docudrama. The story is "personalized" by concentrating on a fugitive German soldier (Heinz Reincke) who falls in love with the Swiss girl (Linda Geiser) who shelters him. Produced on a bare-minimum budget, Der 10. Mai is impressive more for its sincerity and raw energy than for its actual cinematic merits.

The paths of guests and employees cross at the Palace Hotel in St. Moritz: A chambermaid experiences financial difficulties. A guest has been robbed. A thief is caught. An assistant cook is promoted to waiter. And there’s no shortage of love in this small world of the great Hotel Palace. Keeping an orderly eye over proceedings is the hotel’s beautiful patron, whose heart is in the right place.

The rich and jung American Susanne falls in love with the Student Hans-Joachim. Set in the romantic Heidelberg.

The Trombonist is a 1949 comedy film directed by Carl Boese and starring Paul Dahlke, Sabine Peters and Ludwig Körner.

Germany, 1914: The bourgeois austerity of the small, northern German town in which Ulyssa lives conflicts sharply with her desire to flirt with and be ensnared by charming, young men. That she's married is irrelevant; it's a marriage which exists only on paper. Among all the men Ulyssa flirts with, there is one for which she has genuine affection: Stefen Marbach, an upright and sincere man, far superior to her other men. And, indeed, the two are honest with one another about their feelings, but the outbreak of the First World War separates them. Sometime later, Ulyssa finds out that not only her husband, but Stefan, too, has fallen in battle. The news of this disaster leads her to reconsider and eventually give in to the constant urgings of the Viennese merchant Reindl. Ulyssa joins Reindl in Vienna and lives a life of wealth and comfort, until one day, Stefan shows up.

Blonde goddess Marika Rökk plays Julia Koster, a ravishing red-headed musical revue star and her opening number, "At Night It Isn't Right To Be Alone", playing to a packed theater, is both an eye-popper and a jaw-dropper.

Wanting a lavish production to mark the 25th anniversary of UFA, the German film studio, Joseph Goebbels, director of the Nazi propaganda machine, commissioned an adaptation of Baron von Münchhausen‘s “autobiographical” stories. Baron von Münchhausen (1720-97) was an eccentric figure in European history, whose tall tales about his adventures rival anything to be found in the legends of Paul Bunyan or classic figures like Odysseus. This film recounts some of the episodes from the Baron’s sensational stories, which are set in the world of the 18th century.

A seductive dancer (Marika Rökk) helps her uncle to fight against the closing of his casino. Through her feminine charm she achieves diplomatic success.

The French ballet girl Janine, a gifted tap-dancer, dreams of a musical career in Paris. But first she wants to take revenge on Count René who stood up her best friend Charlotte. Janine wants him to fall in love with her and disappoint him afterwards. At a masked ball at which Janine pretends to be a Marquise they have their first meeting. Janine is very disappointed in the "good gentleman", but she does not suspect that this gentleman also makes a pretence. The man whom she holds to be count René is Pierre, a composer and pianist.

An operetta directed by Herbert Maisch.

Prince Klemens von Metternich orders Friedrich Gentz, one of his aides, to keep the Duke of Reichstadt---Napoleon Francois Joseph Charles---son of Napoleon and heir to the French throne, from thinking about French politics. Gentz enlists the help of ballerina Fanny Elsser, all the rage in several European capitals, to keep the Duke distracted.

William MacPhab loses seven-pounds in the stock market and decides to slap the man who was responsible for the stock manipulation that caused him to lose his money. Astor Terbanks, the stock-market manipulator is surprised the next day when he gets soundly slapped by MacPhab, and the latter promises to deliver one more a day for the next six days. Terbank's daughter, Daisy, is amused by the procedure and is attracted to MacPhab.

After completing work on the British musical Invitation to the Waltz, Lillian Harvey returned to her adopted country of Germany to star in the comedy-with-music Glueckskinder (Children of Fortune). Harvey plays Ann Garden, an unemployed actress who ends up in night court on a loitering charge. Here she meets Gil Taylor (Willy Fritsch), a struggling songwriter temporarily employed as a court reporter. Hoping to keep her out of jail, Gil impulsively tells the judge that he's engaged to Ann -- whereupon the judge, equally impulsively, marries the couple on the spot! After this inauspicious start, Ann and Gil embark upon a rocky (but tuneful) whirlwind romance.

In 1852, the young Austrian emperor Franz Joseph persuades his friend, Count Michel de Thalberg, to act as a go-between in his love affair with the Bavarian duchess Elisabeth. Not long after his arrival in Munch, Thalberg has an embarrassing encounter in a public garden with an attractive young woman. The innocent incident is misinterpreted by a passer-by who, recognising the woman as the youngest daughter of Ludwig Tomasini, a highly respected caterer, persuades her father that she should marry the man who flirted with her to avoid a scandal (FilmsdeFrance).

A woman is put on trial for murdering a musician who ruined her marriage.

From Constantinople to Marseilles, aboard a cargo ship, an intrigue full of adventures brings together a courageous young girl and a young risk-taker who succeeds in thwarting a series of long-planned crimes.

An early short film by Douglas Sirk (Detlef Sierck) which takes a satirical look at dubious business practices during the Weimar Republic. It was banned under the title "Zwei Genies" but released as "Zwei Windhunde" after revisions were made.

Aspiring singer Susanne takes over one night for her sick colleague, the slap-stick actor Viktor, at a small cabaret in Berlin where he works as a female impersonator. By chance, Susanne is then "discovered" by an agent, who thinks she′s really a man. She becomes famous and goes on tour to London. But when the local womanizer Robert catches on to her game, Viktor then has to jump in for Susanne as "Viktoria".

F.P.1 is a huge airplane landing dock in the Atlantic where pilots making the transatlantic flight can stop. Yet a saboteur tries to sink the technical wonder in this classic German science fiction film from 1932. The film was also created with English and French speaking actors at the same time.

Two window cleaners help a girl who is trying to get to Hollywood.

Rival window cleaners Willy I and Willy 2 befriend Jou-Jou, an aspiring dancer, who has been tricked out of money by a con-man posing as an American movie mogul, and together they turn an old railway carriage into a "Villa Hollywood" for her.

A Berlin policeman tracks down a group of diamond thieves in the outskirts by posing as a gang member.

A series of stupid coincidences causes the young Munich painter Paul to convert his uncle's castle into a hotel for four weeks. But he can't complain: business is good and he has plenty of guests. For exmple, there's Theo Muller with his revue troupe. For reasons of "sound", Muller calls himself "Miller", which, of course, causes more confusion. His daughter, the beautiful Evelyn, is confused with Mabel Miller, who has come to the hotel on a mission for her filthy rich father ... namely, to estimate the worth of the castle.

The captain of a battleship of a small Balkan country is fed up with following strange orders from the country's queen.

During an inquest after a woman is killed, the judge suspects his own son. The woman's lover had been friendly with the son and he was also supposed to be married to the judge's daughter.

When a prostitute is murdered in a cheap Berlin boarding house, an investigating judge suspects that the killer is her boyfriend, unaware that his own son and daughter are also mixed up in the case.

Simultaneously made French version of "Ihre Hoheit Befiehlt": An officer, posing as a deli clerk, and a princess, posing as a manicurist, meet at a ball. The court especially the prime minister oppose a marriage, for political reasons.

An emancipated Princess, who has just returned home to her court in the Balkans from England, goes in disguise to a servants’ bal and falls in love with an alleged caterer, who turns out next day to be a lieutenant of the guard. Without letting on to her masquerade, she makes sure he climbs the ranks quickly. At the same time, she tries to thwart her engagement to an unpopular prince.

Simultaneously made French version of "Einbrecher": A wealthy old husband looks for the successor for his young wife.A devious gentleman burglar is one possibility he toys with.

A man in bad sorts hires a burglar to later kill him, then changes his mind when his fortunes turn and must find the contracted murderer before it is too late.

The young wife of a rich old husband is prevented of a fling by a gentleman-burglar, who falls in love to her.

Also known as Darling of the Gods, this was Emil Jannings' second talkie appearance. Jannings stars as famed operatic singer Albert Winkelmann, who is greeted with cheers, applause and romantic propositions whenever he performs in his native Vienna. But when he embarks on a tour of South America, tragedy strikes. The sweltering climate causes Winkelmann to lose his voice on stage, a disaster met with hoots and cat-calls. Dispirited he returns to Europe, where he soon learns that no one is aware of what happened in South America. Intending to retire so as not to be exposed to further humiliation, Winkelmann is goaded back on stage -- where, miraculously, his gorgeous voice returns.

Originally Liebeswalzer, this German operetta was the third talkie vehicle for the effervescent Lillian Harvey. The plot is a typical Graustarkian affair, with Princess Eva (Harvey) preparing to marry a duke whom she's never met. Getting cold feet, the duke ducks the wedding, persuading a handsome young commoner named Bobby (Willy Fritsch) to take his place. The wedding goes on as planned, with Eva never suspecting that her new hubby is a ringer. Eventually, the false duke confesses everything, leading to all sorts of intrigue before a happy ending can be realized. Love Waltz was simultaneously filmed in an English-language version, which posed no problem for the British-born Harvey but caused a few uncomfortable moments for her Teutonic co-stars (eventually, Willy Fritsch was replaced by John Batton, who'd played a bit role in the German version).

A scientist discovers that there's gold on the moon. He builds a rocket to fly there, but there's too much rivalry among the crew to have a successful expedition.

A scientist discovers that there's gold on the moon. He builds a rocket to fly there, but there's too much rivalry among the crew to have a successful expedition.

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.