Nina Kulkarni

A little boy is in a dilemma when his parents wish to take him away from his orthodox grandparents. This gives rise to a legal battle between the two for his custody.

Nikita and her eight-year-old son, Ishan, stay in an old family villa in Pondicherry where she runs a home-stay for travelers. A mysterious man with an agenda arrives at Nikita's home-stay, giving all their lives an unexpected twist.

Set in present day Nashik, a city in western India on the banks of the river Godavari, this is the story of a family that is coping with death - one they know about and another that they aren't prepared for.

While attending a funeral, Maee, a typical housewife realises that in situations like these people often look for a photo of the deceased that can be put up in his/her remembrance. She realises that being the photophobic that she is, she doesn't have a good picture to be put up after her. This leads her to think that she might just be forgotten by the generations to come as without a picture they will not be able to relate to her. Worried she sets out on a quest to overcome her fear of the camera and get a good picture. But will she be able to get a picture that would define her? And will people be able to relate to it?

A tale of nine women navigating through an unusual sisterhood thrust upon them by circumstances.

Zahira, 18, is close to her family until her parents ask her to follow Pakistani tradition to choose a husband. Torn between family customs and her western lifestyle, the young woman turns for help to her brother and confidant Amir.

Ajay Mehra (from previous Ghayal-1990), after finishing off his life sentence, starts a newspaper called Satyakam. Still dealing with the haunting trauma of losing his loved ones, Ajay manages to make a credible name for himself in investigative journalism. Working with a strange team of RTI activists, ex-criminals and ilk; and even stranger ways of unearthing and presenting truth, Ajay Mehra has earned quite a fan following among the youths, who finds his fearless and unforgiving approach in dealing with all kinds of sociopaths very inspiring.

Bioscope is an anthology film having 4 short films inspired from 4 poems.

On the eve of Nikhil and Karishma’s engagement, Karishma’s wealthy father, Devesh Solanki, expresses his disapproval, believing Nikhil to be a lackadaisical young man. With one week to prove himself worthy to marry Karishma, Nikhil and Karishma's sister, Meeta, grow closer to each other.

Vishambar Prasad (Darshan Jariwala) and his wife Sujata (Neena Kulkarni) have just married off their younger daughter amidst much pomp and gaiety. Soon after the wedding their only son Ashish (Amir Dalvi) flies back to Germany from where he had come only to attend his sister's wedding. The old couple is left alone in their big mansion in Delhi. A few days down the line it is revealed that Sujata is afflicted with multiple myeloma, a rare type of cancer. Somewhere in this city, there are four goons whose livelihood is to murder and loot hapless senior citizens in the city. They do this by pretending to be AC mechanics who offer free checks of ACs even when your AC could be working perfectly fine. Dilliwaalas open their doors to anybody who offers a free service. Then there are domestic servants and drivers who are hand-in-glove with the four criminals. This is not to say that such things do not happen.

Anumati is the story of an old mans attempts to save his dying wife. For all practical reasons the doctors have given, but Ratnakar is desperate to hold on to the world his wife Madhu has woven. He is not ready to sign the DNR form that permits the doctors to remove external life support to the patient. In the face of absolute money shortage, Ratnakar tries everything - borrowing from relatives, appealing to charity trusts and coaxing insurance companies. He tries to raise money trying to sell the very house that he had built with his wife. His trauma of facing life without his life partner is unbearableHe is still hopeful that their proposed trip to America will actually become a reality when his wife recovers. Anumati is the consent that Ratnakar refuses to give to let his wife die. He finds himself in a corner, helplessly trapped between emotions and practicality, being forced against his wishes, to give up on his longlasting partnership a dilemma that only fate can solve

British retirees travel to India to take up residence in what they believe is a newly restored hotel. Less luxurious than its advertisements, the Marigold Hotel nevertheless slowly begins to charm in unexpected ways as the residents find new purpose in their old age.

This is the journey of Sindhutai Sapkal, a poor village girl who grew up tending buffaloes while craving an education, but her unsympathetic mother had her married off to an older man when she was 12 years old. What could have been a predictable life took a much different course when Sindhutai was unjustly accused of carrying another man's child and was thrown out of the house by her husband and his family.

Banku, his mother, Anjali Sharma and father move in to their new house -- the Nath villa, unaware of the fact that the house is inhabited by a ghost. It is learnt the ghost is not too happy with his new housemates. But what the ghost is not prepared for is his unlikely friendship with Banku. Now Banku must uncover the reason why his ghostly friend is stuck and help him to attain salvation.

Gurukant Desai hails from Idhar, a small village in Gujarat, but dreams of setting up his own business in Mumbai. After he returns from Turkey, he marries Sujatha for getting the dowry and arrives in Mumbai to start his business. This film chronicles the obstacles he meets, his subsequent rise and the huge backlash he receives when it is revealed that he used unethical means to rise in the business circuit.

Vidya Barve, a divorced, working woman, is forced to spend the night on the streets of Mumbai. She recounts her spree of turbulent relationships and decides to start a new life.

Ayaan tricks a model into marrying him, when she leaves her diary in his family's garage, allowing him to follow her around.

Mohan is a medical student who lives in the United States. One day, he receives a strange phone call from his grandfather asking him to come back to his native village in India. Once he arrives, he finds out that his brother and sister-in-law have mysteriously disappeared. Moreover, his little cousin Tanaji survived, but is behaving very strangely, he never speaks a word, gets up in the middle of the night, sometimes suddenly turns cold, and mistreats his toys. Mohan tries to solve the mystery, but fails to find a rational explanation for all the creepy things that happen. Everything points in the direction of the caretaker's wife, Parvati, who performs rituals of black magic.

Neeraja has vitiligo, a skin disease that makes her a social outcast. She faces many challenges in her life but with her will power, she overcomes them all.

Vini and Mani are sisters who belong to an orthodox family which values conformity over independence. Their family and surroundings are a constant reminder of what their place and aim in life should be. While Vini, born with an intellect and desire to work towards her goals, finds her way by accepting these limitations, Mani refuses to lead a predestined life. She rebels against traditions and charts her own path. Mani's struggle to find her place under the sun brings her in direct conflict with the rigid society. Armed with boundless energy and a burning desire to make her own mark in this world, she crosses all hurdles, but fame proves expensive. While her sister is applauded, Mani is scorned. She finds herself at the pinnacle of glory, alone without her father's pride or a pat on the back. As pressures mounts, it seems her family might disintegrate.

7½ Phere: More Than a Wedding is a 2005 Bollywood comedy film directed by Ishaan Trivedi and produced by Sonal Malhotra and Nimit Modawal. It stars Juhi Chawla and Irfan Khan in lead roles. The film was released in India on 29 July 2005 with mixed response

A group of young boys and girls grapple with moral issues in a changing world.

After his wife passes away and a heart attack forces him to retire, middle-aged widower Raghuveer Rajadhyaksh (Shivaji Satham) moves back to his hometown of Mumbai , where he reconnects with his first love, Durgi (Neena Kulkarni). The pair quickly finds that the years have done little to diminish their feelings for each other. Director Bipin Nadkarni's tender romantic drama is based on Jaywant Dalvi's acclaimed play "Durgi."

Arjun, a Hindu boy, and Khushboo, a Muslim girl, fall in love. Despite their families being good friends, they need to keep their romance a secret due to the religious intolerance of society.

The story of a bunch of misfits whose misconception about each other’s backgrounds leads to a series of chaotic, yet comic outcomes. Aftab and Rimi play two strangers who have to pretend that are a married couple in order to get a place to live. Paresh Rawal plays a rich, yet ground to earth businessman whose business is named after his wife Anjali. Akshaye Khanna plays a young man starting a new business in electronic ware. Things get complicated when Rimi Sen goes to Paresh Rawal's house in search of a job & meets Akshaye Khanna who falls in love with her thinking she is Paresh Rawal's daughter. Paresh Rawal's wife thinks that he is having an affair with Rimi Sen while Paresh Rawal thinks his wife is having an affair with Akshaye. Enter Shakti Kapoor whose daughter falls in love with a guy pretending to be Paresh Rawal's son and soon everything gets out of control.

Story about a self-made man in India

Rishi Oberoi is the only son in the Oberoi family, who are wealthy and own a palatial home. Rishi is a womanizer, and often drinks. One day he comes across an attractive young lady, who he later comes to know as Chandni Gupta. Chandni is not impressed with Rishi's advances, and ignores him. Chandni is employed with an organization, and is in love with her co-worker, Mohan Sachdev. When Mohan and Chandni plan to marry, they are met with opposition from Mohan's parents, and as a result Mohan marries someone else. Rishi comes to know about this and offers to console Chandni as a friend. It is now up to Chandni to decide if she would prefer a womanizer and a former admirer as a friend.

Badal is a victim of the 1984 riots, brought up by a terrorist. Badal aims to kill the treacherous police officer who had killed his parents and his loving sister. He takes shelter in the house of an honest police officer and falls in love with a minister's granddaughter. Will he be able to accomplish his revenge?

Two rival reporters team up to help prove the innocence of a man set to be hanged for the murder of a politician.

Karan is a former soldier. One day when Karan finds out that his father committed suicide in prison after he is falsely charged with a crime, he suspects Ravi Verma, a city attorney who has a wife and a kid. When Karan spots Ravi on the street with his wife Kajal, he abruptly shoots Ravi and Kajal; however, Ravi survives the murder and Kajal ends up dead. After Ravi's release from the hospital, he does not realize that he has a new and different wife who looks exactly like Kajal, later on he does. While Ravi's life continues, Karan's revenge also continues against Ravi. Ravi claims that it wasn't his idea to set Karan's father up, it may be Ravi's father-in-law and his colleagues who may be responsible.

An abducted and sexually abused girl has her traditional views towards sexuality changed after finding refuge and kindness with a trans woman.

A 1995 Indian Marathi-language drama film directed by Mahesh Manjrekar. Life becomes hard for a family after the father is involved in an accident that causes him to lose his legs.

A man and a woman fall in love and decide to get married. Problems arise when the couple realise that their families have been bitter rivals for a long time.

A woman decides to fight against her powerful oppressor. When the guard of a chilli factory helps her, the women and the teacher of the village join them to openly defy the prevailing repression.

Sharmi leaves her baby with a nanny when she and her husband go to work. However, she comes across a beggar on the street holding a baby which she suspects to be her own.

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