Jörg Malchow

Bex has caused a serious accident and is therefore in prison. In order to rehabilitate the inmates, the prison offers them a dance class led by Ava. But Bex doesn't want to take part. However, she has no other choice and soon she feels drawn to Jay in particular and they realize that they have much more in common than this dance class. The cohesion within the prisoners of rehabilitation grows, but when Bex's past catches up with them again, everything is in danger.

Chief Inspector Mohn investigates a case of rape. Barbara Falk was apparently drugged by knockout drops and abused in her house. While her male colleagues have doubts, Judith Mohn is convinced that the victim is telling the truth. A suspect has to be released for lack of evidence. Only five years later does it become clear that this was the right lead.

It is 1974, and in the Cold War paranoia of East and West Germany, it can be dangerous to know too much. But time is running out for Sophie Zimmermann. She is being hunted and the only way to survive is to find out the identity of The Man On The Other Side! In the style of classic 70s spy thrillers like Tinker Tailor Soldier Spy, The Ipcress File and Day Of The Jackal, The Man On The Other Side transports you back to a world of double crosses, of dark deeds in grey Eastern European cities and of danger lurking behind every kiss.

Four very retired, ex-GDR spies, or "Kundschafter des Friedens" as they were officially named, led by the once legendary Jochen Falk, are called on by the German government. Their mission is to rescue the interim president of the divided Republic of Katschekistan, who has been kidnapped by separatists, along with Berlin's official man on the ground, Franz Kern. To keep Jochen and his maybe no longer so crack team under control, all of whom are determined to prove they were treated unfairly by history, they are put under the command of the young and enthusiastic BND agent Paula Kern.

Fabian Groys, a renowned journalist for a political news magazine, enjoys great freedom, since the stories he uncovers make for good sales. When he loses a hot story about the German army, the editor saddles him with a young female intern. Fabian hates teamwork and sticks the intern with what seems a classic tabloid story about the suicide of a man who had himself torn to shreds by a lion at the zoo. But thanks to the intern’s dogged determination, signs emerge that the story Fabian was working on and the gory zoo story are actually interlinked. Is it pure coincidence? And if it isn’t, how can Fabian fight a nebulous enemy?

On the request of his mother Gitte, Marko, who has been living in Berlin for years, drives off to the countryside to visit his parents. His hopes of spending a quiet and relaxing time with his family fall short when Gitte surprises everyone by revealing that she has recovered after a long mental illness. Marko is the only one who respects her wish from now on to be treated as a full member of this family and, as a result, ends up tipping more than just the delicate balance of his parent’s seemingly harmonious relationship.

"In the Shadows" slithers through underworld Berlin in grand style. En route to a twisty finale, German writer-director Thomas Arslan keeps his audience glued to the increasingly desperate actions of Trojan, a thirtysomething career criminal whose latest job slowly catches up with him.

After an immense loss in his life, Christian, a call-boy in Berlin, gay and lonely is confronted with his past... Will a decision he is forced to make be the opportunity for a new beginning?

The lonely bank-employee Phillip follows a strict pattern of somewhat compulsive actions keeping his encounters with strangers to a minimum. When his home one day is robbed of all content and he later meets the enchanting blind cellist Lina, he finds, however, he needs to start improvising and taking chances.

A major work of the celebrated Berlin School, the debut of Ulrich Köhler (In My Room) is a mesmerizing portrait of a young German soldier named Paul who goes AWOL and returns to his childhood home in the countryside. Over a few summer days, Paul evades the responsibilities of everyday life and falls in love with his brother’s girlfriend, disrupting the lives of everyone in his circle. With Köhler’s penchant for deadpan humor and subtle performances, Bungalow becomes a quiet mockery of militarism, familial estrangement, and youthful ennui.