Matthew Collings

Documentary in which painter and critic Matthew Collings charts the rise of abstract art over the last 100 years, whilst trying to answer a set of basic questions that many people have about this often-baffling art form. How do we respond to abstract art when we see it? Is it supposed to be hard or easy? When abstract artists chuck paint about with abandon, what does it mean? Does abstract art stand for something or is it supposed to be understood as just itself?

Documentary in which painter and critic Matthew Collings charts the rise of abstract art over the last 100 years, whilst trying to answer a set of basic questions that many people have about this often-baffling art form. How do we respond to abstract art when we see it? Is it supposed to be hard or easy? When abstract artists chuck paint about with abandon, what does it mean? Does abstract art stand for something or is it supposed to be understood as just itself?

This mini documentary features a rare interview with infamous graffiti artist Banksy, delving into how he started out as a graffiti writer up to his shift to gallery art, installations, CDs, and more. Til this day only a hand full of people know his real identity, such as friends appearing here: 3D of Massive Attack, Damien Hirst, and others.

Matthew Collings will reappraise the Impressionists. The four stars are Courbet, Manet, Monet and Cezanne. In two hours their stories and their art will intertwine. Matt will unpack the principles of Impressionism - the strength of colour, the flatness, the patterning and the way in which ordinary life is pictured with startling truth - and argue that this is the best thing that has ever happened in modern art. He will also show that although the contemporary art world seemingly despises Impressionism it is only because of Impressionism that the avant-garde came to be.

Matthew Collings will reappraise the Impressionists. The four stars are Courbet, Manet, Monet and Cezanne. In two hours their stories and their art will intertwine. Matt will unpack the principles of Impressionism - the strength of colour, the flatness, the patterning and the way in which ordinary life is pictured with startling truth - and argue that this is the best thing that has ever happened in modern art. He will also show that although the contemporary art world seemingly despises Impressionism it is only because of Impressionism that the avant-garde came to be.

Paul Cézanne counts as the father of modern painting. Far from Paris, in the South of France, his obstinacy as man and artist made him a pioneer of a new way of seeing. Returning always to the same sujets – the Mont Sainte-Victoire, bathing figures, or still lifes – he abandoned central perspective, distorted body-shapes and broke all the traditional rules of landscape painting. Aided by experts, and descendants of the artist, Matthew Collings gives a thorough introduction to Cézanne’s life and work, exploring the lifelong artistic quest of the man whom Picasso called “my only master”.