Béla Fleck

Béla Fleck

Birth : 1958-07-10, New York City, New York, USA

History

Béla Anton Leoš Fleck is an American banjo player. An acclaimed virtuoso, he is an innovative and technically proficient pioneer and ambassador of the banjo, bringing the instrument from its bluegrass roots to jazz, classical, rock and various world music genres.

Profile

Béla Fleck

Movies

A Kentucky Treasure: The J.D. Crowe Story
Self
Fellow musicians talk about the career and impact of Kentucky native J.D. Crowe, one of bluegrass music's most accomplished and influential performers and bandleaders. Crowe was instrumental in the careers of Ricky Skaggs, Tony Rice, Keith Whitley and Jerry Douglas and was voted into the International Bluegrass Music Museum Hall of Fame in his own right in 2003.
Big Family: The Story of Bluegrass Music
Self - Musician
Examine the history of bluegrass music, from its origins to its eventual worldwide popularity, and hear from dozens of musicians who explain the ways bluegrass music transcends generational, cultural and geographic boundaries.
Flamekeeper: The Michael Cleveland Story
Self
Eleven time Fiddler of the Year and even a Grammy nominee, but that's just part of the story. Though born with disabilities that left him blind and partially deaf, Michael Cleveland is considered by many to be the greatest fiddler of all time.
Flamekeeper: The Michael Cleveland Story
Music
Eleven time Fiddler of the Year and even a Grammy nominee, but that's just part of the story. Though born with disabilities that left him blind and partially deaf, Michael Cleveland is considered by many to be the greatest fiddler of all time.
The Porchlight Sessions
Self
A rare look at the inventiveness of the human spirit through reimagining the history of Bluegrass Music from Bill Monroe to today's musicians.
Revival: The Sam Bush Story
Self
Heralded as one of the most influential musicians in the modern era, Sam Bush pioneered a new genre of music, inspired some of today's most successful commercial acts, yet he remains the music world's best-kept secret.
The Librarian and The Banjo
Self
The inspiring true story of music librarian Dena Epstein who labored 25 years to document the musical contributions of African slaves to the New World. Her work, now considered classic, shattered legends and myths, proved that the banjo was a slave instrument, and sparked a remarkable revival of black string band music. Directed and produced by Jim Carrier. Starring Dena Epstein, Bela Fleck, Eric Weissberg, Tony Trischka & the Carolina Chocolate Drops.
Give Me the Banjo
Self
The Banjo Project is a cross-media cultural odyssey: a major television documentary, a live stage/multi-media performance, and a website that chronicle the journey of America’s quintessential instrument—the banjo—from its African roots to the 21st century. It’s a collaboration between Emmy-winning writer-producer Marc Fields and banjo virtuoso Tony Trischka (the Project’s Music Director), one of the most acclaimed acoustic musicians of his generation.
Throw Down Your Heart
Self
A film crew follows the well-known banjo player Bela Fleck on his travels to Africa, where he learns about the instrument's origins.
McCoy Tyner - Guitars
Banjo
Bela Fleck & The Flecktones BluesFest
Chick Corea Rendezvous in New York - Chick Corea & Bobby McFerrin Duet
Banjo
Gov't Mule: The Deepest End
Banjo
In 2003, after recording The Deep End, Volume 1 (2001) and Volume 2 (2002), Gov't Mule gathered several musicians that had worked on the Deep End sessions as well as a few other friends for a live concert. This was intended as the culmination of the Deep End project, which was a tribute to their late bassist Allen Woody, who died in 2000. Two CD plus DVD set recorded live at the historic Deepest End Concert in New Orleans, LA on May 3rd, 2003. DVD includes 15 minutes of behind the scenes footage plus a photo gallery. Starring Gov't Mule (Warren Haynes, Matt Abts, and Danny Louis). Featuring appearances by bass players Les Claypool, Mike Gordon, Jason Newsted, Victor Wooten, George Porter, Jr, Dave Schools, Greg Rzab, Rob Wasserman, and more. Also featuring appearances by the Dirty Dozen Brass Band, Fred Wesley, Karl Denson, Bernie Worrell, Bela Fleck, and many others.
Victor Wooten and Carter Beauford: Making Music
Carter Beauford and Victor Wooten are two of the most electrifying performers around today...are a match made in heaven on this voyage through the making of two studio cuts. Their wildly eclectic music-making and virtuoso abilities are disected and serve as educational tools for all musicians. The video is an amazing glimpse into the minds of two performers of complicated and listenably enjoyable music. An inside look at Victor s Ying-Yang CD sessions, as two great songs are developed and recorded. Plus Vic and Carter isolate their parts for each tune.
Béla Fleck & the Flecktones: Live at the Quick
Banjo, Electric Banjo
Fronted by one of the most accomplished banjo players of his time, Bela Fleck and the Flecktones are captured live in concert on Live at the Quick. The versatile band performs just over a dozen songs including such radically different compositions as "Amazing Grace," "Big Country," "Hoedown," and the prelude from a Bach violin concerto.
Phish: Tracking
Music
Tracking (1994) is a documentary about the band Phish and the recording of the album Hoist. It is directed by the band's bass player, Mike Gordon, who wrote, for the VHS packaging: While in the studio recording the album 'Hoister' (sic) I sported a video camera. Sometimes I pushed the record button. Others, the stop. Alas, I edited. Using machines small yet sweet, I assembled Tracking. This isn't about railroad tracks or stuffing things up the tender nostril. It's about 48 tracks of sound, adjacent on strips of plastic. Like mixing lilac petals, coriander, chunks of butter, and fennel into a soup. Tracking is the recording of different sounds, adjacent on strips of plastic. . . . Many of the musicians on the album, Alison Krauss, Béla Fleck, and actor Jonathan Frakes, are shown recording tracks that eventually wound up on the album. The documentary is approximately 25 minutes long and was produced by Cactus Films.
Phish: Tracking
Tracking (1994) is a documentary about the band Phish and the recording of the album Hoist. It is directed by the band's bass player, Mike Gordon, who wrote, for the VHS packaging: While in the studio recording the album 'Hoister' (sic) I sported a video camera. Sometimes I pushed the record button. Others, the stop. Alas, I edited. Using machines small yet sweet, I assembled Tracking. This isn't about railroad tracks or stuffing things up the tender nostril. It's about 48 tracks of sound, adjacent on strips of plastic. Like mixing lilac petals, coriander, chunks of butter, and fennel into a soup. Tracking is the recording of different sounds, adjacent on strips of plastic. . . . Many of the musicians on the album, Alison Krauss, Béla Fleck, and actor Jonathan Frakes, are shown recording tracks that eventually wound up on the album. The documentary is approximately 25 minutes long and was produced by Cactus Films.
Nanci Griffith: Other Voices, Other Rooms
Self
Nanci Griffith performs her Grammy Award winning album "Other Voices, Other Rooms" live at Paramount Theater in Austin, Texas on April 28th, 1993 with special guests including Emmylou Harris, Bob Dylan, Townes Van Zandt, Odetta, John Prine, Guy Clark, Iris DeMent, and many more.