Kristjan-Jaak Nuudi

At the center of Estonia's first full-length horror film are the brothers Markus (Franz Malmsten) and Tom (Kristjan Kasearu), who find themselves in a lonely forest cottage near a large highway.

He is the most performed contemporary composer in the world. And yet he rarely ventures out in public, prefers to keep quiet about his music, feels at home in the forests of Estonia and generates therewith - perhaps involuntarily - the impression of a recluse, which is attributed to him again and again: Arvo Part. In The Lost Paradise, we follow him over a period of one year in his native Estonia, to Japan and the Vatican. The documentary is framed by the stage production of Adam's Passion, a music theater piece based on the Biblical story of the fall of Adam featuring three key works by Arvo Part. The world-renowned director Robert Wilson has brought this work to the stage in a former submarine factory in Tallinn. Tracing their creative process, the film offers rare and personal insights into the worlds of two of the most fascinating personalities in the international arts and music scene.

In a quiet resort town Haapsalu four kids are spending their summer holidays together. Suddenly they are dragged into events that started in the 15th century in the local bishop's stronghold. The children must solve a difficult mystery of a clock robbery and they have to find a treasure that has been lost for centuries and contains a formula of making gold.

30-year old Kertu has lived under her father's power her whole life. Because of her gentle nature, she is thought by locals to be a little simple-minded. The young woman makes her first timid attempt to change something in her life - she send a postcard to Villu, a handsome but degenerate village drunk.

The main character, Helmi, is born into the house of Baron von Strandmann in Old-Town Tallinn, in 1908. The only thing that she knows for sure about her past is that her mother was an Estonian servant girl. Everything else is a discovery during a life that runs the course of a century - a life that has quite a lot of surprises in store for Helmi. In this house she finds happiness and suffering, passion and disappointment. She grows up alongside young Erik and waits for her big love to blossom. But one floor down lives projectionist Julius - a man who is far from indifferent when it comes to Helmi. All of the biggest historical events of the century leave their mark on the house. Its hardwood floors have born soldiers' gruff boots and gentleman's shiny oxfords. Its walls have held the fates of people from far and near, foreigners and locals. Helmi's home becomes a German salon, a revolution museum, and a working class commune. And as freedom comes, real estate crooks start sniffing ...

Women don't know what they want. At least Mann doesn't. It's a little silly story about a woman who likes to demonstrate her moods. There's definitely no lack of spontaneity and bravado in her life. Nor men.

An average guy of an Estonian high-school decides to defend his bullied classmate. This starts a war between him and the informal leader of the class. As teenagers' honour is a touchy thing, everything ends in bloodshed.

A smart leader can keep the culture of his nation homogeneous for a long time, but he is helpless against the interchange of genes.

Tim plans revenge on the judge who sentenced his innocent brother for murder. Waiting for a suitable opportunity, the young man hides in an abandoned church on the judge's land. One day, Tim's hiding place is discovered by a strange girl, Good. The two young people thirsting for love find a partner in each other.