Piotr Zelt

A comedy about the modern days men, and not only...

When a forgotten director gets the chance to make his historical film, creative visions clash when the producer considers turning it into erotica.

Petty thief Czarek takes part in a TV reality show to escape from the mafia. He is sent to a house on a desert island with 9 other contestants. Even the death of one of them does not stop the show.

Jurek Kiler (see the prequel to this movie, "Kiler") has become a VIP - sponsoring the Polish government, playing tennis with the President, and stuff. He must oversee a transfer of a substantial amount of gold. However, in his past activities, he has made enemies. Mighty ones. And thus Jurek Kiler's next adventure begins as he has to face attempts at kidnapping, assassinations, and problems in his love life...

An innocent cab driver is mistaken for a contract killer and imprisoned. Soon, he is sprung by a mob boss who needs "Killer" for a few more jobs.

Anthropology professor Michal develops two overwhelming obsessions. The first one is a mummified, 3,000 year-old, perfectly preserved body of a shaman he and his colleagues have recently dragged out of a swamp. The second is an enigmatic student he meets by chance at a railway station.

The film was made according to the idea and under the care of Krzysztof Kieślowski. A contemporary story about 10-year-old Sebastian and Eugene, a retired elevator man. Despite the age difference between them, they are struggling with a similar life situation - they are lonely, with no support in the family, forced to fight for survival, in a world that does not care about them. The fate of the characters is linked by a desire to get a 500-franc note, lost by a French pianist. The money fell into a deep sewage grid, from which it is not easy to take it out. They start a war with each other, use deceit, sometimes join forces to try to get the banknote on their own. With time, they become more and more exposed to each other.

Daddy is the story of a divorced father fighting for the right to raise his 7-year-old daughter. When his marriage falls apart, he decides to kidnap his daughter rather than let the court award custody to his mentally ill wife, whom he deems unfit to raise their child. But as he quickly finds out, it's easier to be a real man than it is to be a real father.

Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikołaj to smuggle him back to their homeland.

Partly thriller, partly dark comedy, the tagline of this film announce that any resemblance to real-life characters and situations were completely intentional. This had the audience guessing who the main characters were supposed to represent: those biznismeni and post-socialist yuppies who after 1989 teamed up with their former enemies to exploit Poland ruthlessly.