Pedro Nercessian

Pedro Nercessian

Birth : 1985-09-17, Rio de Janeiro, Rio de Janeiro, Brazil

Profile

Pedro Nercessian

Movies

Nothing good comes after your 30's
Noah
In a world where people don't age, the government finds itself facing a population crisis. It is then created a government program to control overpopulation. The program involves the killing of people who turn 30. However, a man questions himself about this political doctrine during his last birthday.
Chewing Gum
Irene is one of the exiles of a fantastic island populated by young people of curious eating habits, whose only connection with the world outside is a boat of supplies. An unexpected event makes her the protagonist of a strange collective catharsis.
Chacrinha: O Velho Guerreiro
Playboy
The story of José Abelardo Barbosa, narrated from the time of his youth, when he was at medical school, and dropped everything to become a radio announcer. After that, we follow the transformation of his life and the creation of his alter ego, Chacrinha.
Alguém Acaba de Morrer Lá Fora
Canastra Suja
Pedro
Batista and Maria form a couple who, apparently, are very happy in their marriage. However, the truth is that appearances deceive and much; in the background, Batista, an inveterate alcoholic and Maria, who has an affair with her eldest daughter's boyfriend, Emilia, represents a family on the edge of the ruins.
Julio Gone
Rio de Janeiro, in the period in which the Police Pacification Units (PPUs) were beginning to be deployed in the city. Edna (Lilia Cabral) is the mother of Julio (Pedro Nercessian) and Silvio (Fiuk). One day she wakes up desperate to see that Julio just disappeared!
Solidões
Solitudes goes from laugh to drama, from musical to documentary, from romantic comedy to mean satire, keeping loneliness focused in all its aspects at all times, in many stories that are linked to each other.
Léo e Bia
Encrenca
Brasilia, 1973. At the height of the military dictatorship, seven friends, young as the city in which they live, dream of living in theater. Led by director Léo, the group carries out the rehearsals of a play that weaves comparisons between Jesus Christ and the cangaceiro Lampião. While political repression runs wild in the federal capital and sexual freedom is still taboo, Bia is increasingly being held prisoner by her mother's obsession, causing everyone to increasingly question the concepts and values of society.