Un campiere
A fragment of a short comedy of Neapolitan setting, in which the actor Vincenzo Scarpetta, son of playwright Eduardo, is struggling with a Miss across the Atlantic. The woman throws a chest in the sea, asking his lover to recover it as proof of love. He turns to a fisherman, offering him money to complete the recovery for him. The film, shot in 1916, was, for reasons unknown, unpublished until 1918.
Checco
A couple of country pumpkins go to the big city and learn a thing or two.
The film tells the story of Maria, a young typist who falls in love with a distinguished gentleman by whom she becomes pregnant, without knowing that he is married. The gentleman, assailed by debts resulting from his dissipated life, depends upon his rich wife, and has no intention of marrying the poor girl. After having refused the money offered by him in compensation for her dishonour, Maria wanders desperately, with her baby in her arms, until she decides to accept the propositions of a stranger, with the single aim of buying a gun to carry out her own revenge.
Bess is busy reading a book when her folks come in and command her to spend more time at work. They give her a ball of yarn, a crochet needle and set her to work. She is left alone and while moving around in her chair she loses track of the ball of yarn. It happens to have been caught in her belt at her back and out of her own view. Being a girl of quick temper and strong in athletics, the home is in so much of a turmoil when her parents return that Bess has not been subjected to work since. (Moving Picture World)
Kri Kri can't have the girl he loves, so he fakes suicide.
Directed by Giulio Antamoro.
Checco
Roman comedienne Lea returns for more hilarious antics in Lea si diverte (1912).
A man stands up to his emperor and is punished by death for it.
This is not the Faust which Méliès made, but another version. The last half of the film is missing. It is interesting to note how, in an effort to let the audience know what the actors were thinking, visions were used as here when the tapestry on the wall gives place to Marguerite’s memory of her meeting with Faust.
Tired men takes magic pills that make them overly energetic.
