Tonia Mishiali

Movies

Daphne
Writer
Daphne switches from one sexual partner to the next, but does not seem to be satisfied, at least not with what she thought she needed. How far would she go to feel some affection?
Daphne
Director
Daphne switches from one sexual partner to the next, but does not seem to be satisfied, at least not with what she thought she needed. How far would she go to feel some affection?
Pause
Producer
Trapped in the misery of an oppressive marriage, a middle-aged woman finds refuge in a fantasy world of vindictive violence. Soon, reality and fantasy start to blur.
Pause
Writer
Trapped in the misery of an oppressive marriage, a middle-aged woman finds refuge in a fantasy world of vindictive violence. Soon, reality and fantasy start to blur.
Pause
Director
Trapped in the misery of an oppressive marriage, a middle-aged woman finds refuge in a fantasy world of vindictive violence. Soon, reality and fantasy start to blur.
The Magic Beans
Production Manager
Four friends overcome their insecurities in surreal and unexpected ways after eating a plate of 'magic' beans.
The Magic Beans
Executive Producer
Four friends overcome their insecurities in surreal and unexpected ways after eating a plate of 'magic' beans.
Dead End
Producer
The loss of youth, social and professional activity intensifies the sense of loneliness, the obsessions and the "dead end" in the life of an elderly couple.
Dead End
Writer
The loss of youth, social and professional activity intensifies the sense of loneliness, the obsessions and the "dead end" in the life of an elderly couple.
Dead End
Director
The loss of youth, social and professional activity intensifies the sense of loneliness, the obsessions and the "dead end" in the life of an elderly couple.
I Don't Like the Wind, I Like the Sun
Director
The achievement of independence, social inclusion and employment, fuel the sense of happiness and brighten the lives of a group of people with intellectual disability.