Jayamala

A curse placed on a family who come to live in a new house by the sea.

Friends Vishnu and Shankar, who are fascinated by the same girl, try to outsmart each other. They turn rivals when Shankar brands Vishnu with theft and sends him to jail.

Kann Sivanthaal Mann Sivakkum is a 1983 Tamil film directed by debutant Sreedhar Rajan. Produced by R. Venkatraman, the film won the Indira Gandhi Award for Best Debut Film of a Director at the 30th National Film Awards in 1983.

Oridathoru Phayalvaan is a 1981 Malayalam film written, edited and directed by P. Padmarajan. The film is a folk parable about the success and failure in the life of a wrestler. Having an unusual and different plot, the movie was critically acclaimed. It stars Rashid, Nedumudi Venu and Jayanthi in the lead roles. It won the award for Best Script at the Kuala Lumpur International Film Festival, and a Gold Medal at the Asian Film Festival.

Muniyana Madari is a 1981 Indian Kannada-language film.

Antha is a Indian Kannada-language action thriller film directed by S. V. Rajendra Singh Babu. The film stars Ambareesh, Lakshmi, Jayamala and Latha in lead roles. The story is based on H. K. Ananth Rao's serial of the same name published in the Kannada weekly magazine Sudha. It was remade in Tamil as Thyagi, in Telugu as Antham Kadidi Aarambam, and in Hindi as Meri Aawaz Suno.

A drama film directed by Jawahar and P Vadiraj, starring Jayamala Omaiah in the lead role.

Bhama loves and wants to marry Nandagopal, but he loves Rukmani. Forced by his mother, he marries Bhama and compounds this blunder by marrying Rukmani as well.

An estate manager sets his eyes on a beautiful girl. When he tries to misbehave with her, a good-hearted man comes to her rescue.

Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.

A tutor hired by a wealthy family witnesses a murder, while travelling by a train. She faces a dilemma when she realizes that the murderer is the patriarch of the family she has been hired by.

The film stars Rajkumar, Jayamala, R. Sampath, Balakrishna and Vajramuni. Rajkumar plays 3 different roles in the film- A police inspector Vijay, a hippie vagabond Shekhar, Servant Sheshagiri and the main protagonist Sridhar. The movie was the debut movie of Tamil director C. V. Rajendran in Kannada. The film is divided into 3 stories – Thrimurthy, Undoo Hoda Kondoo Hoda and Aalaagaballava Arasaagaballa. The movie was Parvathamma's first production venture under Poornima Enterprises banner. It was also her maiden distribution venture.