When an attempted breakout of a prisoner ends in mass bloodshed, a power struggle erupts between the lawmen and a group of civilians in a rural province. As hostilities between the two sides slowly escalate, the animosity felt by the rebel leader towards his enemies slowly grows. Violence only begets more violence as a brutal attack is met with an act of revenge. A Bloody historical epic from Jamshid Heydari.
Cinematography
When his business partner is hurt in a car accident, happily married Mahmoud (Fariborz Arabnia) must travel to Tehran, where he falls for the beautiful Sima (Hedye Tehrani). The two agree to a "temporary marriage," but problems arise when Sima doesn't want the arrangement to end. Sima's reluctance to play her expected role in this common Islamic practice soon turns to obsession in this smash hit from Iran.
Cinematography
Between the years 1941-51, many immigrants went to the south of Iran to work for the oil companies there. A couple, Tal'at and Karamat also go there in hope of a better life. But Tal'at, who is pregnant, catches leperosy and they have to remain outside the city. The husband makes a tea-house and they stay there. An immigrant girl Manzar who had lost her parents, come to the tea-house and lives by them too.
Cinematography
The film follows a character known as The Cinematographer, who is looking for someone called Atieh (Future). As he calls out to her, he is magically transported back in time from the early twentieth century to the reign of Naser al-Din Shah in 19th century Iran. Captured by the Shah's guards, he shows films from the history of Iranian cinema to the Shah. The Shah is entranced and eagerly shows his family the apparently magical medium.
Writer
Jalal Amin is the main character in the story, an old garage owner whose brother Hussein is studying in Germany. On his return, Hussein brings the latest model for the glory of a Benz car. Without Hussein's knowledge, criminal networks have inserted heroin in his car and are looking for it after the car enters Iran. Hussein is killed by criminals and Jalal confronts them to avenge him.
Director
Jalal Amin is the main character in the story, an old garage owner whose brother Hussein is studying in Germany. On his return, Hussein brings the latest model for the glory of a Benz car. Without Hussein's knowledge, criminal networks have inserted heroin in his car and are looking for it after the car enters Iran. Hussein is killed by criminals and Jalal confronts them to avenge him.
Writer
A stranger breaks up the intimate relationship of two brothers, one of whom is blind. The older brother who seeks to prove his innocence and express his love for the younger brother. He does something that makes the situation worse.
Camera Department Manager
A stranger breaks up the intimate relationship of two brothers, one of whom is blind. The older brother who seeks to prove his innocence and express his love for the younger brother. He does something that makes the situation worse.
Director
A stranger breaks up the intimate relationship of two brothers, one of whom is blind. The older brother who seeks to prove his innocence and express his love for the younger brother. He does something that makes the situation worse.
Cinematography
The story of the "love" triangle of two brothers and a prostitute.
Director of Photography
Prince Ehtejab, one of the last remaining heirs of the Qajar royal family, is suffering from tuberculosis, which he knows is fatal. He spends his last days alone in the magnificent rooms of his wintry palace, from where he recollects the glory days of his ancestors as well as days of degradation. Among the latter are the gruesome manner in which his cruel grandfather murdered his mother and brother, and the way that he himself caused the death of his wife.
Cinematography
Wounded by the police, a thief looks up his old friend in order to leave the proceeds of his theft with him. Instead, he finds that his friend is a drug addict. He sticks around to try and help his friend kick the habit; instead, both men are caught in a shootout with the police and...
Cinematography
This film, based on a well-known novel of the same name by Sadegh Chooback, is about a wronged man seeking revenge. Director Amir Naderi's inspiration for making the film was one of his childhood heroes, the legendary Zar Mohammad, who waged a one-man war against four swindlers and provoked wide spread popular sentiment against tyranny.
Cinematography
Samad burns an ogre's hair which causes an 8000 years old ogre to be released from his prison. The ogre eats a goat and also kidnapped Leila for Samad which causes her father to complain against Samad and sends him to jail but the ogre saves him and takes him to the city. There they have more adventures.
Cinematography
Banafsheh, a young prostitute who has fled with a man to the seaside in hope of starting a new life has to return to her profession as she learns about the betrayal of her lover. Penniless and emotionally broken, she also has to bear with the taunts of the other girls and the threats of the roughneck patron of the house, Mammad who unfailingly refer to his dagger to consolidate his supremacy. In fact it was Mammad who ordered the man to rob Banafsheh of her money and abandon her. Banafsheh apparently has not learnt her lesson, as she trusts her next customer and falls in love with him. Her new lover , Abbas, is a truck driver who received his nickname for his habit of constantly lying, but it seems that he gives it a break when promises Banafsheh to get a house of their own...
Cinematography
Two gangster squads who smuggle antiques fight each other in Zahedan. The first squad's members manage to kill the members of the other squad. Two villains of them rape a woman Leila who is the wife of a man his name Baluch and escape to Tehran. He pursues them and shots them. While thinking that he had killed them, he surrender to the police and imprisoned for 12 years. When released from the prison he finds that they are not dead. He goes after them and kills both of them.
Cinematography
Dash Akol is greatly respected in Shiraz as an honorable man who has lost his family's money through helping his friends. He has an enemy, however, named Kaka Rostam, a mean and spiteful person. Dash Akol, who is in his forties, falls in love with Marjan, daughter of the late Haji Samad, for whose estate he is the executor. But he keeps his love secret. One day a suitor asks for Marjan's hand, and Dash Akol considers it against his code of honor to refuse. On the night of the wedding, Dash Akol hands over responsibility for the family to the bridegroom. As he is leaving the house, however, Kaka Rostam is waiting for him and a fight ensues. Kaka Rostam stabs him in the back, but Dash Akol succeeds in killing him. On his deathbed, Dash Akol sends his parrot to Marjan with the confession of love he has taught it.
Director of Photography
A lonely old man takes to terrorizing the kids who build a football pitch next to his house.
Cinematography
A documentary on Hajj pilgrimage.
Cinematography
This documentary shows a report from the Persian Oil Company industry in Bandar Genave