Caroline Detournay

"Jerk" is an imaginary reconstruction – strange, poetic, funny and somber – of the crimes perpetrated by American serial killer Dean Corll who, with the help of teenagers David Brooks and Wayne Henley, killed more than twenty boys in the state of Texas during mid-70s.

From this "inexorable disease", Hervé Guibert did not recover. The miracle he had so much hoped for did not happen. But, before his death in 1991, three years after learning of his HIV-positive status, he engraved in his literary and photographic work "the places of [his] suffering", "the stations of [his] way of the cross". With his thin body and sunken cheeks, the handsome man with curly hair that he was, the one whose clear gaze radiated from the seaside photos, fought a fierce battle against AIDS. A fight of every moment against the decay of the body, observed and commented with a methodical care in his autobiographical novels, in particular "To the Friend Who Did Not Save My Life" (1990) and "The Compassionate Protocol" (1991), and of which he testified on television on the set of "Apostrophes"...

Babyracer doesn't see the track as a circle, he sees it as an endless road. He is afraid, he might get lost and never find the finish line.

The story revolves around Joëlle and Kamel Mrabti, key members of staff for Montfermeil's new mayor, Emmanuelle Joly—but the couple is also in the process of divorcing. The whole staff is working together on the implementation of a wacky new policy that features the creation of the Montfermeil Intensive School of Languages, where seven of the 62 languages spoken in this town on the outskirts of Paris will be taught. The policy is a great success and effectively revitalises the town, but life is no less complicated for the mayor's staff. Joëlle and Kamel are at war with each other and are each in love with mysterious blind dates. Shadowy traitors in the administration are seeking to sabotage Ms Joly's good work. Suspicions fall on Kamel.

Marcelo Novais Teles, a young Brazilian, arrives in Paris to become an actor. But he is caught up in a very intense love as well as professional life; that's when he choses to film everything as time progresses. Dinner, parties, rehearsals, friendly and family meetings, falsely profound conversations, trips to Europe, etc. THE EXILED is the magnificently happy montage of these sequences, home movie of an obvious and chronic happiness, where the insolence of youth and its beauty are displayed. There are many well-known faces of actors who have become famous since then, which adds to the charm continuously lavished by these innocent images. Self-portrait in the form of a generational portrait, where the love of art crosses the art of living, the exile here is in the land of happiness.

72 hours from the final of an international female bodybuilding championship. Lea Pearl is set to compete for the prestigious title of Miss Heaven. But her past catches up with her, when her ex-lover Ben shows up with the 6-year-old son she hardly knows.

A rich land economically and culturally, Algeria fluctuates today between despair and the hope of a new beginning. Then there is a series of suicides at the heart of society. The coast and the sea. Images flow into and over each other poetically like a Fata Morgana.

Nioumoune Island, Senegal. Boniface, a young priest torn between his desires, escapes from his parish. The edge of his makeshift boat, it crosses a disturbing maze of mangroves. In search of freedom, he began a journey that will confront his past, his hidden desires and the vastness of the Mauritanian desert.

A short film about unfulfilled masochistic desire with a score by Scott Walker & Sunn O))).

On an Algerian beach, kids splash about, sleep, squabble - and then suddenly go to war. And it’s neither Lord of the Flies nor La Guerre des boutons. In her first film, full of grace, Narimane Mari films this childish freefor- all closely, at the irregular pace of an imagination inspired by the highest form of reality, national History — actually, nothing less than the Algerian War of Independence. When their make-believe induces a general upheaval, we follow the flock of children as they stamp their feet up the stairs, invade houses, cross village squares, in a whirlwind of shouts and empty words. Time is stretched like in a dream, through a choreography of belligerent shadows or the night-time explosion of the cemetery, as so many warning signs of dangers to come.

A dream walk through the United States of America; a meditation on the thoughts and ideals of its inhabitants, as they are exposed in their silent but eloquent home movies.

At a dangerous time in Algeria, 'Douar de Femmes' is a story of ordinary women who manage to defend themselves in extraordinary situations. The film focuses on a small village that has been attacked more often by terrorists from the surrounding mountains. While the men work, the women learn how to handle machine guns and explore the area. “Fear has armed us,” says the young woman Sabrina. But despite that fear, people get married, children come and keep watch.