Claude Lanzmann
Birth : 1925-11-27, Paris, Ile-de-France, France
Death : 2018-07-05
Himself (archive footage)
A chronicle of the Holocaust, told by the resilient survivors who lived through it.
Claude Lanzmann
After his retirement, french philosopher and bullfighting enthusiast Francis Wolff decides to embark on a journey to France, Spain and Mexico joined by two mexican filmmakers who hardly know anything about bullfighting, a culture whose days seem to be numbered. During their road trip, they encounter numerous personalities with whom they reflect on mankind’s relationship with animals and nature, but most importantly on our relationship with death and the meaning of the ultimate journey: life itself.
Self (Archival footage)
This film tells the life story of Ziva Postec, emphasizing the period when she was editing Shoah from 350 hours of footage.
Since 1999, Claude Lanzmann has made several films that could be considered satellites of Shoah, comprised of interviews conducted in the 1970s that didn’t make it into the final, monumental work. He has just completed a series of four new films, built around four women from four different areas of Eastern Europe with four different destinies, each finding herself unexpectedly and improbably alive after war’s end.
Writer
Since 1999, Claude Lanzmann has made several films that could be considered satellites of Shoah, comprised of interviews conducted in the 1970s that didn’t make it into the final, monumental work. He has just completed a series of four new films, built around four women from four different areas of Eastern Europe with four different destinies, each finding herself unexpectedly and improbably alive after war’s end.
Director
Since 1999, Claude Lanzmann has made several films that could be considered satellites of Shoah, comprised of interviews conducted in the 1970s that didn’t make it into the final, monumental work. He has just completed a series of four new films, built around four women from four different areas of Eastern Europe with four different destinies, each finding herself unexpectedly and improbably alive after war’s end.
Himself
Napalm is the story of the breathtaking and brief encounter, in 1958, between a French member of the first Western European delegation officially invited to North Korea after the devastating Korean war and a nurse working for the Korean Red Cross hospital, in Pyongyang, capital of the Democratic People’s Republic of Korea.
Writer
Napalm is the story of the breathtaking and brief encounter, in 1958, between a French member of the first Western European delegation officially invited to North Korea after the devastating Korean war and a nurse working for the Korean Red Cross hospital, in Pyongyang, capital of the Democratic People’s Republic of Korea.
Director
Napalm is the story of the breathtaking and brief encounter, in 1958, between a French member of the first Western European delegation officially invited to North Korea after the devastating Korean war and a nurse working for the Korean Red Cross hospital, in Pyongyang, capital of the Democratic People’s Republic of Korea.
Self
A documentary directed by Eric Friedler about Jerry Lewis' never released movie "The Day The Clown Cried".
The process of making Shoah.
Himself
A place: Theresienstadt. A unique place of propaganda which Adolf Eichmann called the "model ghetto", designed to mislead the world and Jewish people regarding its real nature, to be the last step before the gas chamber. A man: Benjamin Murmelstein, last president of the Theresienstadt Jewish Council, a fallen hero condemned to exile, who was forced to negotiate day after day from 1938 until the end of the war with Eichmann, to whose trial Murmelstein wasn't even called to testify. Even though he was without a doubt the one who knew the Nazi executioner best. More than twenty-five years after Shoah, Claude Lanzmann's new film reveals a little-known yet fundamental aspect of the Holocaust, and sheds light on the origins of the "Final Solution" like never before.
Writer
A place: Theresienstadt. A unique place of propaganda which Adolf Eichmann called the "model ghetto", designed to mislead the world and Jewish people regarding its real nature, to be the last step before the gas chamber. A man: Benjamin Murmelstein, last president of the Theresienstadt Jewish Council, a fallen hero condemned to exile, who was forced to negotiate day after day from 1938 until the end of the war with Eichmann, to whose trial Murmelstein wasn't even called to testify. Even though he was without a doubt the one who knew the Nazi executioner best. More than twenty-five years after Shoah, Claude Lanzmann's new film reveals a little-known yet fundamental aspect of the Holocaust, and sheds light on the origins of the "Final Solution" like never before.
Director
A place: Theresienstadt. A unique place of propaganda which Adolf Eichmann called the "model ghetto", designed to mislead the world and Jewish people regarding its real nature, to be the last step before the gas chamber. A man: Benjamin Murmelstein, last president of the Theresienstadt Jewish Council, a fallen hero condemned to exile, who was forced to negotiate day after day from 1938 until the end of the war with Eichmann, to whose trial Murmelstein wasn't even called to testify. Even though he was without a doubt the one who knew the Nazi executioner best. More than twenty-five years after Shoah, Claude Lanzmann's new film reveals a little-known yet fundamental aspect of the Holocaust, and sheds light on the origins of the "Final Solution" like never before.
Himself
A powerful new film about Jan Karski, the Polish resistance figure who attempted to expose the Warsaw Ghetto and Belzec, and met with President Franklin D. Roosevelt and Supreme Court Justice Felix Frankfurter.
Writer
A powerful new film about Jan Karski, the Polish resistance figure who attempted to expose the Warsaw Ghetto and Belzec, and met with President Franklin D. Roosevelt and Supreme Court Justice Felix Frankfurter.
Director
A powerful new film about Jan Karski, the Polish resistance figure who attempted to expose the Warsaw Ghetto and Belzec, and met with President Franklin D. Roosevelt and Supreme Court Justice Felix Frankfurter.
Writer
At the occasion of the sixtieth anniversary of Israel, Claude Lanzmann made an interview of Ehud Barak, on March 1st, 2008.
Director
At the occasion of the sixtieth anniversary of Israel, Claude Lanzmann made an interview of Ehud Barak, on March 1st, 2008.
Self - Interviewer
At the occasion of the sixtieth anniversary of Israel, Claude Lanzmann made an interview of Ehud Barak, on March 1st, 2008.
Writer
A Claude Lanzmann documentary about one uprising by Jews in a Nazi-run concentration camp taken from his Shoah interviews.
Himself - Interviewer
A Claude Lanzmann documentary about one uprising by Jews in a Nazi-run concentration camp taken from his Shoah interviews.
Director
A Claude Lanzmann documentary about one uprising by Jews in a Nazi-run concentration camp taken from his Shoah interviews.
Himself
An interview with a WWII Red Cross official who wrote a glowing report on a Jewish ghetto-cum-death camp.
Producer
An interview with a WWII Red Cross official who wrote a glowing report on a Jewish ghetto-cum-death camp.
Writer
An interview with a WWII Red Cross official who wrote a glowing report on a Jewish ghetto-cum-death camp.
Director
An interview with a WWII Red Cross official who wrote a glowing report on a Jewish ghetto-cum-death camp.
Writer
The ideologies underlying the foundation of modern Israel are explored in this documentary, the third of a trilogy (created over a twenty year span) exploring the Jewish experience. The two earlier documentaries, "Porquoi Israel," and "Shoah," have had great effect on the ways documentaries are produced. "Tsahal" zeroes in on the crucial role of the military in Israeli society and politics. The film uses many in-depth interviews to present the many feelings and thoughts about the Israeli military.
Director
The ideologies underlying the foundation of modern Israel are explored in this documentary, the third of a trilogy (created over a twenty year span) exploring the Jewish experience. The two earlier documentaries, "Porquoi Israel," and "Shoah," have had great effect on the ways documentaries are produced. "Tsahal" zeroes in on the crucial role of the military in Israeli society and politics. The film uses many in-depth interviews to present the many feelings and thoughts about the Israeli military.
Himself
The ideologies underlying the foundation of modern Israel are explored in this documentary, the third of a trilogy (created over a twenty year span) exploring the Jewish experience. The two earlier documentaries, "Porquoi Israel," and "Shoah," have had great effect on the ways documentaries are produced. "Tsahal" zeroes in on the crucial role of the military in Israeli society and politics. The film uses many in-depth interviews to present the many feelings and thoughts about the Israeli military.
Self
Winner of a Best Documentary Academy Award, Marcel Ophuls' riveting film details the heinous legacy of the Gestapo head dubbed "The Butcher of Lyon." Responsible for over 4,000 deaths in occupied France during World War II, Barbie would escape--with U.S. help--to South America in 1951, where he lived until a global manhunt led to his 1983 arrest and subsequent trial.
Self - Interviewer
Claude Lanzmann directed this 9½ hour documentary on the Holocaust without using a single frame of archive footage. He interviews survivors, witnesses, and ex-Nazis (whom he had to film secretly since they only agreed to be interviewed by audio). His style of interviewing, by asking for the most minute details, is effective at adding up these details to give a horrifying portrait of the events of Nazi genocide. He also shows, or rather lets some of his subjects show, that the anti-Semitism that caused 6 million Jews to die in the Holocaust is still alive and well in many people who still live in Germany, Poland, and elsewhere.
Writer
Claude Lanzmann directed this 9½ hour documentary on the Holocaust without using a single frame of archive footage. He interviews survivors, witnesses, and ex-Nazis (whom he had to film secretly since they only agreed to be interviewed by audio). His style of interviewing, by asking for the most minute details, is effective at adding up these details to give a horrifying portrait of the events of Nazi genocide. He also shows, or rather lets some of his subjects show, that the anti-Semitism that caused 6 million Jews to die in the Holocaust is still alive and well in many people who still live in Germany, Poland, and elsewhere.
Director
Claude Lanzmann directed this 9½ hour documentary on the Holocaust without using a single frame of archive footage. He interviews survivors, witnesses, and ex-Nazis (whom he had to film secretly since they only agreed to be interviewed by audio). His style of interviewing, by asking for the most minute details, is effective at adding up these details to give a horrifying portrait of the events of Nazi genocide. He also shows, or rather lets some of his subjects show, that the anti-Semitism that caused 6 million Jews to die in the Holocaust is still alive and well in many people who still live in Germany, Poland, and elsewhere.
Himself
Using interviews and other footage shot especially for this documentary, French director Claude Lanzmann investigates the state of Israel in 1972. This movie concentrates on Israelis going about their business of everyday living.
Writer
Using interviews and other footage shot especially for this documentary, French director Claude Lanzmann investigates the state of Israel in 1972. This movie concentrates on Israelis going about their business of everyday living.
Director
Using interviews and other footage shot especially for this documentary, French director Claude Lanzmann investigates the state of Israel in 1972. This movie concentrates on Israelis going about their business of everyday living.