Ricardo Garfias

In a small town in Mexico, Miguel, a 26-year-old disabled man, lives isolated from the world because of his mother's overprotection. When Miguel becomes interested in the most beautiful girl in town, he knows the true cost of her freedom.

The impossibility of guide her three daughters in life and the constant failed promise to be a good mother frustrate and imprison Susana more and more. Ana and Clara, her older daughters, decide to release her from her burden.

After winning the lottery 15 years ago, Tino and his family start experiencing economical problems. Tino askes his neighbor for help, but his neighbor has his own issues too.

Guie’dani, a Zapotec indigenous girl and her mother take up work with an upper-class family in Mexico City. The girl does not fit and is conflicting. Everything changes when she meets Claudia, a rebellious girl with whom she becomes close friends.

A successful and somewhat vain lawyer loses her mobile phone and is contacted by a stranger who wants to give it back. Charming and interesting, their instant connection blossoms but everything changes when they meet and she discovers a tiny little detail about him: he's rather short.

A story about persons with different disabilities in present-day Mexico City. In urban scenery, these persons interact with each other, forming four groups according to their specific condition. Each of these groups becomes then a living organism, a blend through which individuals are supplemented through the capacities of others, developing thus, as a multiplicity, new strengths and possibilities.

A woman is recruited to a prison controlled by organized crime while another woman searches for her missing daughter. Through images that submerges us in a journey from north to south Mexico, both testimonies collide and take us to the center of a storm: a country where violence has taken control of our lives, our desires and our dreams.

This is a story about the families of those that once were our witnesses, our eyes and our voice, but were threatened, had to leave Mexico and forced to live in exile, seeking for political asylum. It is not about powerful journalists, it is about invisible reporters that represent the weakest links of the news network’s chain and now are living in an immigration limbo.

Manuela (40) is the cook in a restaurant when the Balkan conflict breaks out on the other side of the world. The madness of war permeates her surroundings, invades her intimacy and unleashes its own warlike escalade.

Magdalena makes a journey to find her missing son, who disappeared on his way to the border with the United States. Accompanied only by her will and her memories, Magdalena enters a violent and desolated territory, the migration route in Mexico.

On February th 1970, Carlos Castañeda de la Fuente tried to assassinate the Mexican President to avenge the Tlatelolco massacre from October 2nd 1968, defying the most repressive regime in the contemporary Mexican history. Forty years later, this failed avenger survived the system´s disproportionate retaliation, only to wander Mexico City´s streets as a vagrant.

Sara does not belong to this world, but in a last effort she sets out on a journey in search of her only important person.

The world of dreams keeps Mateo locked up, will he be able to wake up?

An unworldly and closed-minded American travels to a small village in exotic Chiapas, Mexico; at the behest of his estranged mother when his half-sister disappears during a local epidemic of kidnappings attributed to the legendary J-ok'el, the weeping woman, who drowned her own babies, centuries ago and whose spirit has returned to claim more children as her own.

In an unnamed Latin American country that closely resembles Mexico, the government fights a rural insurgency with torture, assault, rape, and murder. Soldiers descend on a town, cutting off the rebels from their cache of ammunition hidden in a field. A family of grandfather, son, and grandson are among the rebels in the hills. The grandfather, with his violin over his shoulder, tries to pass the checkpoint, ostensibly to tend his corn crop. The commanding officer lets him pass but insists on a daily music lesson.