Sérgio Cardoso

An allegory about Brazil's history and the struggle for power since the 1930 Revolution until the advent of the TV.

Delfino, a quiet man who lives in Congonhas do Campo, a small historical town in the state of Minas Gerais, Brazil, is urged by his friend to steal the image of the Madona de Cedro (the Cedar Madonna), sculpted by Aleijadinho in the 18th century, from the town sanctuary.