Satsuo Yamamoto
Birth : 1910-07-15, Kagoshima, Japan
Death : 1983-08-11
History
From Wikipedia, the free encyclopedia.
Satsuo Yamamoto (July 15, 1910 - August 11, 1983) was a Japanese film director.
Yamamoto was born in Kagoshima Prefecture on July 15, 1910. He dropped out of Waseda University to join Shochiku, where he worked as an assistant director to Mikio Naruse and others. He followed Naruse when he moved to PCL, and became a director in his own right after the company was reborn as Toho. During WWII he directed several pro-war propaganda films for them despite being a fervent member of the Japanese Communist Party (JCP), and after the war he rallied against the company as a driving force behind the union during the 1948 Toho labour dispute (in which the JCP was heavily involved), after which was ultimately fired.
He subsequently worked on independent films and made numerous intensely rebellious and substantial socially conscious works. From the 1960s onward, he directed a succession of major films including the Toyoko Yamasaki adaptations “The Ivory Tower” and “The Perfect Family”, the “Men and War” trilogy, and “Kotei no inai Hachigatsu”. This body of epic works led to him being dubbed “the Red Cecil B. DeMille”.
Three of his films, Shiroi Kyotō, Fumō Chitai and Ah! Nomugi Toge won the Mainichi Film Award for Best Film.
He died of pancreatic cancer on August 11, 1983 at the age of 73.
Description above from the Wikipedia article Satsuo Yamamoto, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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The story of the silk industry and the young girls who worked as silk spinners in the early 1900s in Japan. The silk mills were located in Okaya which lies just beyond the Nomugi Pass. The women and girls worked in a hot, humid atmosphere without rest, and endured those conditions and sexual harassment to earn money for their poor families. Across the ocean, it was the great depression in America.
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Taking the Chilean coup as an example, a group of young officers plan to overthrow the Japanese government on V-J Day. They aim to abolish the post-war constitution, restore the national army and revive the traditional spirit of Japan. As the conspiracy is exposed, the coup squadrons are wiped out one by one. The remaining squadron takes over a night train bound for Tokyo.
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Taking the Chilean coup as an example, a group of young officers plan to overthrow the Japanese government on V-J Day. They aim to abolish the post-war constitution, restore the national army and revive the traditional spirit of Japan. As the conspiracy is exposed, the coup squadrons are wiped out one by one. The remaining squadron takes over a night train bound for Tokyo.
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Drama and intrigue about defense contracts and corruption.
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When bribe money from a rigged election funnels into a dam construction project, collusion, lust, greed and even murder are on the ballot.
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Adaptation of the novel by Toyoko Yamasaki.
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Final part of epic drama about war and its effects upon human beings, follows the fortunes of the Godai family through the Sino-Japanese War through the Soviet Union's sudden attack upon Japanese troops at the end of the war.
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Second part of an epic drama of war and its effects upon human beings, follows the fortunes of the Godai family from 1935 through Japan's invasion of China. Based on the novels by Jumpei Gomikawa, who also penned The Human Condition.
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Keisuke Godai, head of the upstart Godai family conglomerate, plans to strengthen ties with the hardliners in the Kwantung Army as they plan military expansion into Manchuria.
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BLOOD END is one of the great unknown films from Japan's golden era of the late 1960's. Starring NAKADAI Tatsuya in one of his best roles, this is the story of the Mito Tengu Group who attempted to overthrow the Shogunate at the beginning of the Bakumatsu Period. Their political aspirations led to countless assassinations, as well as senseless killing of innocent people who got in their way. Sentaro (NAKADAI), a farmer who's been severely beaten for his outspoken defiance of the government and the high taxes during a time of famine is befriended by one of the group's leaders, KADA Gentaro (KATO Go) and joins up. This is the masterpiece of director YAMAMOTO Satsuo (who is best known for the first film in the NINJA, BAND OF ASSASSINS series) the erstwhile 'Leftist' director, who used his films to make his political points. Stunning fight choreography, and ultra-violence make this one of the bloodiest films of that era. A powerful film Rare classic!
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Captures the optimistic attitude and entrepreneurial spirit characteristic of the Vietnamese people, who remain positive despite ever-present reminders of the horros of the Vietnam War.
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Captures the optimistic attitude and entrepreneurial spirit characteristic of the Vietnamese people, who remain positive despite ever-present reminders of the horros of the Vietnam War.
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On the night of the summer Obon festival, Hagiwara Shinzaburo meets a beautiful courtesan named Otsuyu. Not knowing she's a ghost, he becomes infatuated by her.
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When a local gambling house kidnaps some peasants because they failed to pay their debts, a rival gambling house pays their debts and sets them free.
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Toramatsu is a very enthusiastic policeman. Believing that the police should help others he is dismissed the force when his pistol is stolen while doing one of his good deeds. He saves a child from drowning, restores it to his mother, then finds that someone has run off with his gun and later uses it to kill. Then he breaks up a group of hoodlums attacking a young girl named Mieko, and the police, his former friends, deciding he has gone too far, decide to sue him. On top of this the girl gets hurt and, consequently, a child from the kindergarten where Mieko teaches is kidnapped on his way home. Impersonating a policeman he tracks down the gangsters and rescues the boy. Due to this he also uncovers a scandal which allows the police to make a long due clean up in the political world. As a reward for all of this he wins the regard of the girl but now faces a stiff prison sentence for impersonating the policeman he had been and which, at heart, he truly remains.
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The story contrasts the life of two doctors, former classmates and now both assistant professors at Naniwa University Hospital in Osaka. The brilliant and ambitious surgeon Goro Zaizen stops at nothing to rise to a position of eminence and authority, while the friendly Shuji Satomi busies himself with his patients and research.
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Keizo Tsujiguchi believes his wife Natsue was having an extramarital affair when their child was kidnapped and killed. He believes of her extramarital affair she was unable to watch over their child properly and blames her for their daughter's death. To exact revenge on his wife, he then adopts the killer's child without telling the truth to his wife or their newly adopted child.
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Based on true events surrounding a Korean student who had entered Japan unlawfully and escaped illegal alien internment.
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Murder case and trial.
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Gisuke Hayashida is an illegal dentist during the day and a burglar by night. One night during a burglary he witnesses a train derailment. Some communists are found guilty of causing the incident, but he knows it wasn't them. He can save innocent people but for that he must confess his own crime.
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The intense selfishness of a man brings him fame and fortune but not happiness.
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[Period covered: 1582-1594]. As the film opens, the warlod Nobunaga Oda rides to Iga Ayanokuni shrine. He is asked if he thinks he has destroyed all the ninja who opposed him and answers that he suspects that there may be more. A servant brings water and tests it first. The paige dies and we hear gunshots as two ninja flee the scene. His suspicions confirmed, Nobunaga oversees the execution of captured ninja and decides that, in the future, he needs a much crueler method of execution. The daimyo Hideyoshi comes to visit.
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Warlord Oda Nobunaga seeks to unite a fractured Japan. A young man trained in the arts of ninjitsu is manipulated by a ninja master into attempting to assassinate the warlord before he completes his task.
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Japanese drama.
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Satsuo Yamamoto's filmic depiction of the famous 1949 Matsukawa Incident.
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It's a story of the life of a man who advocated the necessity of sex education to children, which was unusual at the time, solely opposed to the amendment of the Peace Preservation Law, and was assassinated by a rightist prior to his opposition speech.
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Drama which shows the struggle of Fumiko, a female teacher, at work and at home.
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A lifetime story of a woman who stubbornly lives in a poor mountain village in post-war Japan.
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The humorous tale of Jimbei, a miller, and his wife Osen who live in complete happiness. But Osen's beauty attracts numerous would-be lovers among whom is the local governor, a timid creature, who is dominated by his high-born and beautiful wife, who dresses in a scarlet battle-tunic, a sign of his family's military merit around which he fabricates fantastic tales of his prowess in war. During the traditional festival when the villagers are released from observance of all social customs and restrictions, it is permissible for any man to attempt win the favors of the one he loves. However, the timid but romantic governor goes to the length of having the miller arrested to clear the way for his seduction of Osen. But Osen fights off his advances with an old hunting gun and dashes out of the mill. Jimbei, meanwhile, has escaped from jail and dashes home to finds the governor in his bed. Convinced that his wife has been violated, he decides to take an eye for an eye.
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Shochiku Production on typhoon
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"A unique left-wing comedy by Yamamoto.... A travelling theater troupe, led by Umagoro Ichikawa, comes to play in a mining town, and manages to sell every seat. Before the play begins, however, a miners' strike is announced, creating an uproar. In addition, the players find they have been cheated out of their profits by a crooked impresario. The socially naive actors join together with the progressive union members to create a political 'strike drama,' and learn much from each other in the process." --Alan Poul, Japan Society
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Based on Philippines war experiences. Military doctor Leutenant Hanada deserts with a local girl. The officer in command orders Lieutenant Uji to shoot Hanada. Uji takes a sharpshooter called Takagi and tracks him. At first Uji cannot forgive Hanada but as Uji is isolated from the main force he too starts to think of desertion.
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Just before the end of the war, Japanese soldier Kitani is released from prison, having served his term for theft. Told in flashback, viewers learn about Kitani's past and reasons behind his prison sentence.
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A period film about a peasant revolt in the region near Mount Fuji, occasioned by high officials' depriving the farmers of their water rights.
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A period film about a peasant revolt in the region near Mount Fuji, occasioned by high officials' depriving the farmers of their water rights.
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An attempt is made to suppress a journalist's investigation of collusion between a rural police chief and the local gangster bosses.
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Set in wartime at the Yawata Steel Works in Tobata, Yawata, and Kokura cities in Fukuoka Prefecture, the film depicts people taking on the evil blast furnaces that prevent increased production. The film was shot on location at the actual Yawata Steel Works for an extended period of time, and special effects were created using a miniature blast furnace that closely reproduces the actual one.
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9th directorial work by Yamamoto Satsuo.
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A priest in Hokkaido adopts a blind orphan girl, and as she grows up he finds himself falling in love with her.
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The prewar film Haha no kyoku (Mother's Melody, 1937) is known for its place in Japanese film history as one of the top three melodramas as well as for its authorship: Yamamoto Satsuo is an auteur not usually associated with filming melodramas. Yamamoto made the film right after he moved, along with his mentor Naruse Mikio, to the Toho film company. A number of subsequent postwar mother's films adopted some of its essences, making it a genre-defining moment in Japanese cinema. This great melodrama is atypical of Yamamoto's output, much of which deals with political corruption and inequities within social institutions and offers a strong anti-establishment appeal.
Assistant Director
Mikio Naruse’s final silent film is a gloriously rich portrait of a waitress, Sugiko, whose life, despite a host of male admirers and even some intrigued movie talent scouts, ends up taking a suffocatingly domestic turn after a wealthy businessman accidentally hits her with his car.
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The film is about a protest provoked when the university decided to restrict access to sports facilities to athletes, cutting out all other students. This is, strictly speaking, not a Prokino film. It was produced by the Waseda University Film Circle, which was organized by Kawazoe Shiro. Feature film directors Yamamoto Satsuo and Taniguchi Senkichi were apparently students at Waseda at the time and participated in the production.
