Suzanne Pillsbury

A New York drug dealer is kidnapped, and his wife must try to come up with the money and drugs to free him from his abductors before Christmas.

An amnesiac youth tries to piece together his past, but what he discovers may jeopardize his future.

Two untalented singers are mistaken for a pair of major league safe crackers in Providence, Rhode Island. The two are pressed into service by the local hoodlums and quickly find themselves in conflict with their professional colleagues. Romantic interest is added by the daughter of the underworld leader who won't date the men she knows are gangsters.

A lovely school teacher finds herself the victim of a scam artist - a garage owner who delights in ripping off his customers. Soon, she has two eager young men, her lizard-loving neighbour and his friend, on her side to help her exact revenge on the sleazy mechanic, who is the leader of a stolen car ring.

A Modern Affair is an independent feature directed by Vern Oakley and produced by Tribe Pictures. Starring Stanley Tucci and Lisa Eichhorn, the film's plot reverses the conventions of romantic comedies: instead of man meet woman - fall in love, marry and have baby, in this film the woman gets pregnant, then meets the father, then falls in love. Grace Rhodes (Lisa Eichhorn) is a lonely, successful executive whose biological clock is loudly ticking.

A South African political prisoner is tortured to obtain information on apartheid conspirators. Ten years later, the head officer in charge of the questioning is similarly held as prisoner and questioned about his past offenses.

Twenty years after his mother was stabbed to death, a young man is determined to find the truth behind the coverup of her brutal murder.

Chili Palmer is a Miami mobster who gets sent by his boss, the psychopathic "Bones" Barboni, to collect a bad debt from Harry Zimm, a Hollywood producer who specializes in cheesy horror films. When Chili meets Harry's leading lady, the romantic sparks fly. After pitching his own life story as a movie idea, Chili learns that being a mobster and being a Hollywood producer really aren't all that different.

This evocative faux documentary imagines a dystopian near future in which the government monitors every woman's sexual activity. At its center is Allison Golding (Ali Thomas), serving a life sentence for having an abortion. As politicians, journalists and other key figures discuss Allison's case, they reveal how American society reached this totalitarian state.

A couple move into a bad apartment in a bad neighborhood in New York. The apartment contains a refrigerator, which is the only thing they like in the place. However, they slowly discover that the refrigerator is a monster which kills people in gruesome ways and then sends them to hell. The refrigerator is already gaining mind control over the husband. What will happen?

Dr. Malcolm Sayer, a shy research physician, uses an experimental drug to "awaken" the catatonic victims of a rare disease. Leonard is the first patient to receive the controversial treatment. His awakening, filled with awe and enthusiasm, proves a rebirth for Sayer too, as the exuberant patient reveals life's simple but unutterably sweet pleasures to the introverted doctor.

Between two Thanksgivings, Hannah's husband falls in love with her sister Lee, while her hypochondriac ex-husband rekindles his relationship with her sister Holly.

Fictional documentary about the life of human chameleon Leonard Zelig, a man who becomes a celebrity in the 1920s due to his ability to look and act like whoever is around him. Clever editing places Zelig in real newsreel footage of Woodrow Wilson, Babe Ruth, and others.

“YOU THE BETTER is a film based on games of chance, and as games such as roulette, or craps go, this one is closed – meaning that the player cannot really affect the outcome. A team of uniformed players, led by the artist Ashley Bickerton, performs the mechanics of a game servicing an off-camera betting entity, the ‘House’. Although the game keeps changing and players are swapped out, one thing remains the same, the ‘House’ is hidden and controls the bets, the ‘chance’ of winning is nil. The game, in fact, is not between the players, but rather between the ‘House’, and the ‘Bettor’.” — E.B. 1983