Indra Burkovska

Markuss must adapt to a new life living with his granny in the countryside. After Emīlija – a neighbor’s daughter – throws some contemptuous remarks about the boy’s father, Markuss decides to teach her a cruel lesson. This has severely negative consequences which resonate throughout the village. Forced to work the boy begins to harbor hatred towards the others in the village. The only person the boy can relate to is an old Sailor living in the nearby woods. They inspire one another and keep each other’s secrets. It is only through an accidental turn of events that Emīlija’s mother’s intended sanctions against Markuss and the boy’s reputation in the eyes of the inhabitants of the village radically change.

Ilze Burkovska, a little girl who is obsessed with stories of World War II and will be a filmmaker in a distant future, lives in Latvia under the totalitarian boot of the Soviets and the ominous shadow of the many menaces and horrors of the Cold War.

A Greek couple, Anna (Katia Goulioni) and Petros (Andreas Konstantinou), have recently moved to a small industrial town in Siberia. It’s a long process to adapt, especially for Anna, since Petros is quite occupied with his job. That will cause a conflict between them and inevitably the couple is distanced. Everything is escalated as for the past period there is no sexual intercourse between them. This slow-paced decay is intensified when an unexpected event occurs, changing everything between them. Balancing between trust and disbelief the haunting suspense evolves.

Adam’s first wife Lilith is mentioned in the ancient Oriental legends, in Talmud and in the medieval books of Cabala. According to these sources, she was not created from Adam's rib like Eve but from clay like he himself. Nevertheless Lilith was not recognised by Adam as his equal and left him after a quarrel heading for Babylon. She has no soul, and she is immortal. Lilith assumes different names, can change her appearance, and takes possession of men against their will. Once it's accomplished, she leaves her victims forever, marking them for either spiritual, or physical death. Whatever she does it is neither Good nor Evil. She is made of an altogether different matter. Inspired by the works of French writer Anatole France, Yevgeny Pashkevich‘s GULF STREAM UNDER THE ICEBERG consists of three dramatically interwoven stories with the immortal Lilith stalking through time and space with her demonic mission.

Latvia is governed by a strange ruler with a pig’s snout who calls himself Mr. Snout. Loath to being filmed himself and to filmmaking in general, he has locked up all positive heroes in an effort to prevent filming from taking place. The few survivors hope for the return of the Latvian folk hero Bear-slayer, who vanished into the river many centuries ago. In these harsh times, Bear-slayer rises from the water again to fight Mr. Snout. This film is a criticism of how the inaction of the Latvian government has brought Latvian filmmaking close to extinction.

After the lives of several people are tied into a intriguing knot upon meeting police officer Krasts one hot summer day, they’re all brought together again on a full moon winter night. Intrigue develops among a couple of lovers, Gints and Elga, three adventure-race participants with one woman, Renate, on their team, three generations of a family whose father, Karlis, died in a tragic hunting accident, Karlis’s daughter Aija, his former lover Livija, and a young girl hardened by life, who lives at a Christian home for expectant mothers. A detective twist is added by a bit of poison, which one of them will get.

Actress Indra Burkovska tells the story of her father Aleksandrs and his large family, and life on the farm through the 20th century when the farmer was both a master and a slave to his land. Aleksandrs presents a gift to the Ethnographic Open Air Museum that was his life’s dream – a threshing machine Imanta.

Actress Indra Burkovska tells the story of her father Aleksandrs and his large family, and life on the farm through the 20th century when the farmer was both a master and a slave to his land. Aleksandrs presents a gift to the Ethnographic Open Air Museum that was his life’s dream – a threshing machine Imanta.

The characters of the movie are closely twisted. Each of the heroes is a slave to their own passions. Only through strong will and some happy event they will be able to free themselves from their addictions.

On the eve of their 20th wedding anniversary, a wife finds out her husband has a lover who wants to buy him from her. The wife agrees.

In this movie (based on a true story) within a movie, a director tries to film the tale of an old KGB activist living in a parish house. In the summer of 1941 the activist tortured and killed Latvians in the cellar of the house. Although the old man hires others to brick over the cellar door, the murdered people keep coming through the stones and never leave him in peace. Unbeknownst to the film makers, the "real" KGB activist, now an aged drunk, is milling about the film set. Moreover, the director and lead actor are competing for the love of the lead actress, and the film's producer wants the director to re-shoot parts of the movie.

The film’s protagonists Ieva and Apollon are former workers of a collective farm. Once they loved each other passionately. Yet it was in "another" life, the time of kolkholzs. The attempt to revive that love ends up in a tragedy. However the story goes on. The events around their burial are so intriguing that mass media raise them to the level of the United Nations.

Ziemmassvetku Jampadracis tells the story of the Cirulisi, a tight-knit family down on their luck, and their trials and tribulations during the Christmas season.

Love and betrayal in a small fishing village in Latvia from 1930s until the Soviet time. Time before WW2, during WW2, punishment in Siberia, Soviet Union, returning home, and above all that - undying love, that still survives no matter what. And, on top of that, Marta and Arthur share their love...

A 38-year-old teacher Anna in a small town is longing to have a child. The opportunity arises when she meets a cargo driver who travels through her town. He turns out to be married with a child in another town, so Anna doesn't wish to pursue the relationship, but the man is ready to change the course of his life.