Louis Miaille

Movies

Death of a Guide
Cinematography
Would-Be Gentleman
Cinematography
Le Bourgeois gentilhomme satirizes attempts at social climbing and the bourgeois personality, poking fun both at the vulgar, pretentious middle-class and the vain, snobbish aristocracy. The title is meant as an oxymoron: in Molière's France, a "gentleman" was by definition nobly born, and thus there could be no such thing as a bourgeois gentleman.
Would-Be Gentleman
Director of Photography
Le Bourgeois gentilhomme satirizes attempts at social climbing and the bourgeois personality, poking fun both at the vulgar, pretentious middle-class and the vain, snobbish aristocracy. The title is meant as an oxymoron: in Molière's France, a "gentleman" was by definition nobly born, and thus there could be no such thing as a bourgeois gentleman.
A Touch of Treason
Cinematography
The French Secret Services are out to recover some secret documents stolen from a Russian cultural attaché, while he struggles to prove his innocence. That is, if he is innocent.
The Seven Deadly Sins
Director of Photography
Seven directors each dramatize one of the seven deadly sins in a short film. In "Anger," a domestic argument over a fly in the Sunday soup escalates into nuclear war. In "Sloth," a movie star would rather pay someone to tie his shoe than bend over to do it himself, and he can't be bothered to accept a starlet's sexual favors. In "Gluttony," a peasant family on its way to the funeral of a relative who died from indigestion stops regularly to eat and drink en route, arriving in time to eat some more. In "Greed," a high-class prostitute refunds the price of a cadet's lottery ticket. In "Pride," an unfaithful wife finds reason to reform. And so on through lust and envy.
L'envie
Cinematography
Envious of a movie star who is staying at the hotel where she works, the waitress Rosette does everything she can to seduce the actress's lover. Some time later, after having realized her ambition, she returns to the hotel as a client. (Segment of "Les sept pêches capitaux")
The Human Pyramid
Cinematography
Jean Rouch gives a group of black and white teenagers a "what if" question: what if they socialised with each other? The teenagers then improvise their own characters and situations.
Le Sourire
Director of Photography
In the year that Cannes Film Festival handed out awards to Federico Fellini for La Dolce Vita, L'Avventura by Michelangelo Antonioni, and Kagi by Kon Ichikawa -- 'Le Sourire' won the Palme d'Or for Best Short Film in 1960. This quiet and intelligent film is a remarkable interpretation of a young monks perspective into a world of meditation, sacred geometry, and coming of age. A tribute to Buddhism, introspection and the wonders of nature...a short but lasting work of art.