Paul Thiltges

From Golden Bear winner Radu Jude, DO NOT EXPECT TOO MUCH FROM THE END OF THE WORLD takes a fierce and darkly comic swipe at modern day life. Overworked and underpaid production assistant Angela (Ilinca Manolache) is assigned to film a workplace safety video for a multinational corporation in Bucharest. When one of the interviewees makes a statement that ignites a scandal, Angela has to re-invent the story. Featuring appearances from Nina Hoss, Uwe Boll, and Angela’s TikTok alter-ego Bobiță, Jude’s anarchic satire is a wild and unforgettable ride through the vulgar indignities of the 21st century.

An overworked and underpaid production assistant who must drive around the city of Bucharest to film the casting for a workplace.

Mary O’Hara is a sharp and cheeky 12-year-old Dublin schoolgirl who is bravely facing the fact that her beloved Granny is dying. But Granny can’t let go of life, and when a mysterious young woman turns up in Mary’s street with a message for her Granny, Mary gets pulled into an unlikely adventure. The woman is the ghost of Granny’s own mother, who has come to help her daughter say good-bye to her loved ones and guide her safely out of this world. She needs the help of Mary and her mother, Scarlett, who embark on a road trip to the past. Four generations of women travel on a midnight car journey. One of them is dead, one of them is dying, one of them is driving, and one of them is just starting out.

Erik is convinced he has a stone for a heart. That’s why he doesn’t mind that his parents have no time for him, or that he is bullied at school, or that he has no real friends. When his family moves to a villa they inherited, he is confronted by Maria whom Erik's parents want to kick out along with her father. Maria refuses to move and promises to make Erik's life a living hell. As a last attempt to defeat Erik, Maria goes to look for her mother who disappeared two years ago. Together they end up on a fantastical journey to the In-Between-World and Erik learns how hard it really is to wear a heart of stone.

Emi, a school teacher, finds her career and reputation under threat after a personal sex tape is leaked on the Internet. Forced to meet the parents demanding her dismissal, Emi refuses to surrender to their pressure.

LOST IN THE 80s is a documentary about the social, political and cultural situation in the Grand-Duchy of Luxembourg during the decade oft the 1980’s. Lead by two fictional characters, the narrative aims to depict a profound portrait of what this country looked like more than 30 years ago.

An ancient Latvian folk tale is the basis for this colorful animated feature in the tradition of Sleeping Beauty and Cinderella. A vengeful sorceress casts a kingdom’s princess into a deep sleep at the top of an icy mountain, where she awaits release from the spell that will destroy the land. Of all the men vying for the honor, the shy outcast son of a family of thugs is the most unlikely. Director Kalnaellis brings a playful sense of humor to the characterizations and adds zippy contemporary elements including a chorus of wisecracking crows. (Gene Siskel Film Center)

Vincent, a police officer, and his partner Manuel steal a large amount of cocaine from José Marciano, a ruthless crime lord who is quick to seek revenge, endangering Vincent's life, career and family.

The story of Johnny Chicago's brother, Ray, and his friend Chuck Moreno, both petty criminals. The latter wants to take the ashes of Johnny, who was fatally wounded by the police after a bank heist, to Chicago.

Retracing the longstanding career of avant-garde drummer Sunny Murray, one of the most influential figures of the Free jazz revolution. Through a series of interviews with key time witnesses as well as historic and contemporary concert footage, it reassesses the relationship between the libertarian music movement and the political events of the 1960s, whose social claims it so intimately reflected. By doing so, it also recounts how the most radical forms of musical expression were excluded from the major production and distribution networks as the libertarian ideal went out of fashion. Beyond its historical approach, the film follows Sunny Murray on current gigs, showing his daily struggle to perpetuate a musical genre which is still widely ignored by the general public. In doing so, Sunny's time now also dwells on the near-clandestine community of aficionados who continue to worship the gods of their musical coming of age, and whose unfaltering support has permitted free ...

In Differdange, in the South of Luxembourg, six unemployed men decide to create the "Dole Club", whose rules forbid its members to work, even in the very unlikely event that they are offered a job. Geronimo, Théid, Frunnes, Sonny Boy, Abbes and Petz all agree to abide by the strict regulations of the club. In accordance with them, they manage to survive. But they can do it only on petty theft and other swindles, which is bound to end badly...

In Differdange, in the South of Luxembourg, six unemployed men decide to create the "Dole Club", whose rules forbid its members to work, even in the very unlikely event that they are offered a job. Geronimo, Théid, Frunnes, Sonny Boy, Abbes and Petz all agree to abide by the strict regulations of the club. In accordance with them, they manage to survive. But they can do it only on petty theft and other swindles, which is bound to end badly...

Drawn from elements of West African folk tales, it depicts how a newborn boy, Kirikou, saves his village from the evil witch Karaba.

Ofelia is the daughter of photographer Miguel and of deceased circus artist Lea. When her father is hospitalised with a nervous breakdown, she decides to find out the reason and in doing so discovers the truth about the relationship between her parents and the true fate of her mother.

The Living Witnesses is a film tying the past to the present: from antisemitism, racism and the Holocaust of the Second World War to the new wave of racism emerging throughout Europe today. Following three living witnesses from the Second World War, survivors of deportation or concentration camps and three students from Luxembourg either born here or immigrated from Syria or the Ivory Coast. With the deportation and the extermination of Jews in mind, the six living witnesses discover how crimes against humanity still play a considerable role in the consciousness of our societies today. We are still living in the post Second World War era, but the “never again” statements seem to fade away.