Gerhard Dorfer

Thomas Donnhofer has turned his estate into a therapy center for horses. But some people are a thorn in the side, for example, Mayor Federer, who pursues other plans. Mayor Federer is only too happy to support the interest of a large hotel chain in Donnhofer's estate. Even privately, Thomas Donnhofer has to worry: his relationship is at stake.

A year ago, Katrin and Max got to know and love each other with the support of the phlegmatic bass dog Kurt. Should they now match their friends and marry? At first it doesn't look promising: Katrin is fighting for a job in London and Max is constantly gone, he seems to meet other women. The help of a second Christmas dog is needed to steer fate in the right direction.

Smart financial advisor Katrin is desperately looking for a way to escape Christmas in her family's lap. And that seems to be coming up soon. In the all-rounder Max, with whom she shares a pronounced aversion to the festival of love, and his dog Kurt, she finds the right companions to implement a sophisticated master plan. Unfortunately, not everything goes according to plan.

The film is based on the figure of the police inspector Simon Polt of the Austrian author Alfred Komarek.

Austria in the last years of the monarchy: Wilhelm Kasda, Lieutenant of the Infantry, lives the life of a young officer. These include small, irrelevant affairs like those with Steffi. Steffi is a simple young woman. Kasda does not realize that her devotion is real love. After a night at the hotel, Kasda gives her a bill and disappears. A few years later, in June 1914, Kasda was visited by a former comrade, Lieutenant von Bogner. He had to resign years ago for gambling debts, is now married, works as a cashier in an office and has embezzled money.

An arsonist tries to shake up the despairing inhabitants of a village who can't communicate with each other.

Felix, a young projectionist, daydreams himself out of the loneliness of his projection booth and into a fantastic universe in which the characters in the films become his own. His dreams, wishes and reality become one in the fuzzy reflection on the projection window. A surreal play by Peter Patzak.

A theatrical group prepare Voltaire’s play “Alzire”. From this the ideas of Voltaire are examined as they relate to the present day political situation.

A young ex-convict returns to his home village. But he soon realizes that nothing is the same for him as before.

With the help of his assistant Anja, Ottocaro Weiss intends to put the plague on stage: circumstances beyond his control and a lack of fresh talent have forced him to close down his flea circus. For Weiss, the plague means the «extinction of everything that makes life miserable and low and freedom along with it. Unbeknownst to him, he has won the support of a patron who is of the exact opposite opinion: for Johannes Wagner, the plague is an organising principle, and, aided by his agent Moosbrugger, he is able to smuggle a new number onto the programme. Whereas Ottocaro Weiss means to represent the plague theatrically, what appears on stage is the scientific reality of the rat-borne infestation.