Aktan Arym Kubat
Birth : 1957-03-26, Sakoulou, Kountouou, Kyrgyzstan
History
Aktan Arym Kubat, also known as Aktan Abdykalykov, is a Kyrgyzstani director, screenwriter and actor. Member of the National Film Academy of the Kyrgyzstan, acting Member of the European Film Academy, acting Member of Asia Pacific Screen Academy.
Aktan Arym Kubat has received many industry awards, including Silver Leopard at the Locarno Film Festival, Bronze Lion at the Cannes Lions International Festival of Creativity, the FIPRESCI Prizes from International Federation of Film Critics, he was a participant of Un Certain Regard and Lа Quinzaine des Realisateurs at the Cannes Film Festival, Panorama section at the Berlin International Film Festival and other festivals.
Best known for the films Beshkempir/The Adopted Son (1998), Maimyl/The Chimp (2001), The Light Thief (2010), Centaur (2017).
In 2016, Aktan Arym Kubat was recognized as one of the best directors in Asia, and Beshkempir/The Adopted Son entered the top 100 Asian films of all time, released by the Busan International Film Festival, which conducted a survey among 73 prominent film professionals, film critics, festival executives, programmers and directors.
Writer
Centaur lives a modest life with his family in rural Kyrgyzstan until he abruptly becomes the center of attention when he is caught stealing a racehorse at night. A story inspired by the myth when horses became the wings of men.
Centaur
Centaur lives a modest life with his family in rural Kyrgyzstan until he abruptly becomes the center of attention when he is caught stealing a racehorse at night. A story inspired by the myth when horses became the wings of men.
Director
Centaur lives a modest life with his family in rural Kyrgyzstan until he abruptly becomes the center of attention when he is caught stealing a racehorse at night. A story inspired by the myth when horses became the wings of men.
Writer
A family of nomads lives in the remote high mountains of Kyrgyzstan...
Director
Writer
The main hero of the film is an electrician with a far greater effect on the people around him than his job defines. He is the last link in a huge energetic system and he becomes the binding bridge between the geopolitical problems of post-soviet space and the common people. The economic devastation of the country had an enormous impact on the industrial workers and yet despite the upheaval, these people did not seize to love and suffer, to have and be friends and to enjoy their lives. In particular our resilient electrician, who possesses a wonderful and open heart. He not only brings electric light (which is often out) to the lives of the inhabitants of this small city, but he also spreads the light of love, loyalty, life and mainly laughter.
Director
The main hero of the film is an electrician with a far greater effect on the people around him than his job defines. He is the last link in a huge energetic system and he becomes the binding bridge between the geopolitical problems of post-soviet space and the common people. The economic devastation of the country had an enormous impact on the industrial workers and yet despite the upheaval, these people did not seize to love and suffer, to have and be friends and to enjoy their lives. In particular our resilient electrician, who possesses a wonderful and open heart. He not only brings electric light (which is often out) to the lives of the inhabitants of this small city, but he also spreads the light of love, loyalty, life and mainly laughter.
Svet-Ake (as Aktan Arym Kubat)
The main hero of the film is an electrician with a far greater effect on the people around him than his job defines. He is the last link in a huge energetic system and he becomes the binding bridge between the geopolitical problems of post-soviet space and the common people. The economic devastation of the country had an enormous impact on the industrial workers and yet despite the upheaval, these people did not seize to love and suffer, to have and be friends and to enjoy their lives. In particular our resilient electrician, who possesses a wonderful and open heart. He not only brings electric light (which is often out) to the lives of the inhabitants of this small city, but he also spreads the light of love, loyalty, life and mainly laughter.
Screenplay
Writer
The Chimp is the nickname of a teenage boy (with large ears) who lives in the small town of Balyktchy, Kirghizstan, a former part of the USSR in central Asia. His family is being torn apart by his dad's alcoholism, his emotions are being torn as he sees his friends pair off into couples, and his job working on the railtracks is uninspiring.
Director
The Chimp is the nickname of a teenage boy (with large ears) who lives in the small town of Balyktchy, Kirghizstan, a former part of the USSR in central Asia. His family is being torn apart by his dad's alcoholism, his emotions are being torn as he sees his friends pair off into couples, and his job working on the railtracks is uninspiring.
Writer
In a Kyrgyz village, five older women adopt an infant foundling. Jump ahead about 12 years: the boy, Beshkempir, is entering puberty, the age, his granny says, when life goes berserk. He plays with friends, horsing around, sniggering about sex, going to an outdoor movie. He works, fishing and making bricks of mud. And, he's starting to notice girls. He and his best friend fight, and he learns to his consternation that he's a foundling. A death in the family pushes Beshkempir even faster toward adult roles: he must brush tears from his eyes, lead a funeral procession, and reconcile with his friend. Then, he borrows a bicycle and calls on Aynura: courtship begins.
Director
In a Kyrgyz village, five older women adopt an infant foundling. Jump ahead about 12 years: the boy, Beshkempir, is entering puberty, the age, his granny says, when life goes berserk. He plays with friends, horsing around, sniggering about sex, going to an outdoor movie. He works, fishing and making bricks of mud. And, he's starting to notice girls. He and his best friend fight, and he learns to his consternation that he's a foundling. A death in the family pushes Beshkempir even faster toward adult roles: he must brush tears from his eyes, lead a funeral procession, and reconcile with his friend. Then, he borrows a bicycle and calls on Aynura: courtship begins.
Director
Aktan Abdykalikov's simple, clear-eyed poetry finds an elemental form here. Two twin brothers are walking down the road carrying a pail of water, they fight and come to blows, and a bemused older man intervenes and sets them back on their way. It's that simple and it's that lovely. A graduate of the Art School of Kyrghyzstan, Aktan Abdykalyko (or Abdikalikov) first worked as a set designer for Kirgisfilm. After several well-received documentaries and short films, his first feature-length fiction film, Beshkempir, won several awards including the Silver Leopard at the Locarno Film Festival.
Writer
A puzzling fable about human relations inspired by Samuel Beckett (in Kyrgyz, beket means station). At a bus stop amid a snowy winter landscape, people wait. A boy, an adult, and an old man are at first joined by a woman, and then a disruptive drunk.
Director
A puzzling fable about human relations inspired by Samuel Beckett (in Kyrgyz, beket means station). At a bus stop amid a snowy winter landscape, people wait. A boy, an adult, and an old man are at first joined by a woman, and then a disruptive drunk.
Writer
The second film by Kyrgyzstani director Aktan Arym Kubat (then credited by his Russian name Aktan Abdykalykov), it is the first of his autobiographical Kurak ("Quilt") Trilogy, followed by Beshkempir (The Adopted Son, 1998) and The Chimp (2001). Идиллия детства, радости, игры разрушается с возвращением в маленькое горное село моряка. В прекрасный мир девушки, мальчика и юродивого врывается великолепная морская форма с клешами и бескозыркой, и волшебная морская ракушка - источник всех их будущих бед.
Director
The second film by Kyrgyzstani director Aktan Arym Kubat (then credited by his Russian name Aktan Abdykalykov), it is the first of his autobiographical Kurak ("Quilt") Trilogy, followed by Beshkempir (The Adopted Son, 1998) and The Chimp (2001). Идиллия детства, радости, игры разрушается с возвращением в маленькое горное село моряка. В прекрасный мир девушки, мальчика и юродивого врывается великолепная морская форма с клешами и бескозыркой, и волшебная морская ракушка - источник всех их будущих бед.
Director
A river reflects everything without carrying it away. But time — it takes everything away without reflecting anything... A story about teenagers in Kyrgyzstan.
Director
The fate of stray dogs of town, who wander around seeking their puppies. There are different types of dogs: those who win at contests, those working for police, circus dogs, those at dogfights. In contrast with the above privileged creatures, the future of strays is probably gloomy, sooner or later they end up under the wheels of a car or with the dogcatcher.
A man who has lost his memory while working in Russia and returns to Kyrgyzstan for the first time in 20 years.
Director
A man who has lost his memory while working in Russia and returns to Kyrgyzstan for the first time in 20 years.
