Himself
Meteor: Sohrab Shahid Saless by Mahmoud Behraznia is a documentary with a different perspective on Sohrab Shahid Saless, a leading Iranian filmmaker. Someone whose viewpoint at cinema and the special type of aesthetics he used in his films has been a path-breaker for many Iranian filmmakers. The film provides the viewer with new information about the life and work of Sohrab Shahid Saless in Germany.
Cinematography
A young man lives through the end of World War II
Cinematography
It's about an old man, a crime, bureaucracy and remorse
Cinematography
A treatise on love and desire tainted by harsh reality of capitalism, in which submission to the laws of lust-as-commerce is played out by five prostitutes and their pimp, who pits them against one another so that they are incapable of standing up to him collectively.
Cinematography
A woman leaves his husband and starts living with a turkish man.
Cinematography
Herbert (Heinz Lieven) is a solid, middle-class engineer who one day quits his job and ensconces himself at home (preferably in the bathroom), refusing to say very much to anyone. His wife (Dorothea Moritz ) is all the more upset at his behavior because on Sunday mornings he goes out into the street and yells at the top of his lungs for everyone to "get up." Eventually, the hard-working wife who is also earning their support convinces Herbert to go to a clinic for treatment. But is it a clinic he needs? Or is Herbert rebelling against a society that is too ordered, too sterile, too buried in the monotony of routine?
Director of Photography
Directed by Sohrab Shahid Saless.
Cinematography
A young boy learns of his mother's occupation while trying to save money for a bicycle.
Cinematography
This drama explores the grim lives of Turkish “guest workers” living in Germany.
