Are bad girls casualties of patriarchy, a necessary evil, or visionary pioneers? By tracing the concept of the bad girl in Japan as a product of specific cultural assumptions and historical settings, Bad Girls of Japan maps new roads and old detours in revealing a disorderly politics of gender. The essays explore deviancy in richly diverse media. Mountain witches, murderers, performance artists, cartoonists, schoolgirls, and shoppers gone wild are all part of the terrain.
Breaking The Frame is a feature–length documentary portrait of the New York artist Carolee Schneemann by Canadian filmmaker Marielle Nitoslawska. A pioneer of performance and body art as well as avant-garde cinema, Schneemann has been breaking the frames of the art world for five decades, in a variety of mediums, challenging assumptions of feminism, gender, sexuality, and identity.
Breaking The Frame is a feature–length documentary portrait of the New York artist Carolee Schneemann by Canadian filmmaker Marielle Nitoslawska. A pioneer of performance and body art as well as avant-garde cinema, Schneemann has been breaking the frames of the art world for five decades, in a variety of mediums, challenging assumptions of feminism, gender, sexuality, and identity.
The film investigates explicit representations of female sexuality by women, exploring the pragmatic and philosophical questions they pose, with emphasis on the ways in which the creation of women-friendly pornography confronts and alters the expectations of male consumers. Ultimately, Nitoslawska is concerned with how we comprehend desire, gender and identity, how we understand and represent its history, and the resulting affect on culture and human relations.
