Antouanetta Angelidi
History
Greek, challenging and highly experimental film-maker that uses any and all forms of art to deliver the most challenging and unusual films she can make. From surrealism, to dance, performance-art, theatrics, structural film, philology, poetry, tableaux-vivant, concept-art, etc. Her output is low but each film achieves, or tries to achieve, something radically new with a new language for film. Recurring themes include feminism, death as a springboard for meaning and the inner life of characters expressed using all of the above methods. Aesthetically, she carefully controls every detail of her films, using artificial sets to set up the best possible delivery for her ideas, while also creating beautiful moving paintings.
Script
An intimate confession of the Greek feminist avant-garde director Antoinetta Angelidi to her daughter Rea Walldén, and the world. A film on her gaze and life, her visions and films, and the devastating experience of going blind. A film made during lockdown inside a flat, about our interior space, at the most secret place of which one finds the Other.
Self
An intimate confession of the Greek feminist avant-garde director Antoinetta Angelidi to her daughter Rea Walldén, and the world. A film on her gaze and life, her visions and films, and the devastating experience of going blind. A film made during lockdown inside a flat, about our interior space, at the most secret place of which one finds the Other.
Director
Shot in 1980 and finished in 2008, 121280 Ritual uses heavy breathing, incantatory chanting, and repetition to ritualize the pregnant body.
Producer
An experimental-allegorical film. Three different people: a sculptress of funereal monuments, an actor preparing for Sophocles’ Antigone, and a mother who has lost her child, experience three different versions of reality - with a fourth character, a thief, providing the connecting link.
Writer
An experimental-allegorical film. Three different people: a sculptress of funereal monuments, an actor preparing for Sophocles’ Antigone, and a mother who has lost her child, experience three different versions of reality - with a fourth character, a thief, providing the connecting link.
Director
An experimental-allegorical film. Three different people: a sculptress of funereal monuments, an actor preparing for Sophocles’ Antigone, and a mother who has lost her child, experience three different versions of reality - with a fourth character, a thief, providing the connecting link.
Writer
The painful passage from being imprisoned in the extortionate dilemmas of familial and sexual relationships to accepting a personal point of view. A narrative constructed on the associative structure of memory and dream.
Director
The painful passage from being imprisoned in the extortionate dilemmas of familial and sexual relationships to accepting a personal point of view. A narrative constructed on the associative structure of memory and dream.
Set Decoration
During its 85-minute running time, this jarring experimental film takes a no-holds-barred look at the way women have been treated and depicted in Western art.
Writer
During its 85-minute running time, this jarring experimental film takes a no-holds-barred look at the way women have been treated and depicted in Western art.
Producer
During its 85-minute running time, this jarring experimental film takes a no-holds-barred look at the way women have been treated and depicted in Western art.
Director
During its 85-minute running time, this jarring experimental film takes a no-holds-barred look at the way women have been treated and depicted in Western art.
Producer
In Variations, Angelidi creatively activates her knowledge of the history of the cinematic image and connects it to a global artistic language of an alternative, poetic cinema, while still preserving the peculiarities of her own tradition and, especially, her personal concerns. Angelidi -who appeared with the film Idees Fixes - Dies Irae (Variations on the Same Theme) in 1977 is classified among the filmmakers who emerged in the seventies with films that were "different", from an aesthetic viewpoint, and who proposed "another" kind of narrative
Writer
In Variations, Angelidi creatively activates her knowledge of the history of the cinematic image and connects it to a global artistic language of an alternative, poetic cinema, while still preserving the peculiarities of her own tradition and, especially, her personal concerns. Angelidi -who appeared with the film Idees Fixes - Dies Irae (Variations on the Same Theme) in 1977 is classified among the filmmakers who emerged in the seventies with films that were "different", from an aesthetic viewpoint, and who proposed "another" kind of narrative
Director
In Variations, Angelidi creatively activates her knowledge of the history of the cinematic image and connects it to a global artistic language of an alternative, poetic cinema, while still preserving the peculiarities of her own tradition and, especially, her personal concerns. Angelidi -who appeared with the film Idees Fixes - Dies Irae (Variations on the Same Theme) in 1977 is classified among the filmmakers who emerged in the seventies with films that were "different", from an aesthetic viewpoint, and who proposed "another" kind of narrative
