Contemporary film critics regard the epic film I Am Cuba as a modern masterpiece. The 1964 Cuban/Soviet coproduction marked a watershed moment of cultural collaboration between two nations. Yet the film never found a mass audience, languishing for decades until its reintroduction as a "classic" in the 1990s. Vicente Ferraz explores the strange history of this cinematic tour de force, and the deeper meaning for those who participated in its creation.
Through dreams and reality, a Cuban woman learns of the ties her great-grandparents had with the Independents of Color, a political party formed in 1908.
Maria / Betty
Four vignettes about the lives of the Cuban people set during the pre-revolutionary era.
A Cuban dance short, choreographed by Eduardo Rivero.
