Wu Ke-Xi
Birth : 1983-02-06, Taipei, Taiwan
History
Wu Ke-xi (Chinese: 吳可熙, born 6 February 1983) is a Taiwanese actress. She has had starring roles in most of Midi Z's films. She was nominated at 53rd Golden Horse Award for Best Leading Actress for her role in The Road to Mandalay.
Ying
Aya, a young Ivorian woman in her early thirties, says no on her wedding day, to everyone’s astonishment. After emigrating to Asia, she works in a tea export shop with Cai, a 45-year-old Chinese man. Aya and Cai fall in love but can their affair survive the turmoil of their past and other people’s prejudices?
A, the last human on the planet. X, the god, demon, or the future in A's nightmares. In 1972, a futurologist book precisely predicted the human destiny manifested in East Asia. In an unknown era, the last human found a mysterious message from an electronic device and embarks on a quest for a future from the past. In ten chapters, the audience explores this dream-like prophecy.
Mai Ling
A retelling of the biblical book of Hosea set against the backdrop of the California Gold Rush of 1850.
Li Mei Zhen
It tells the story of a mother’s desperation to locate her child when the abductor dies before her child can be located. With time running out, the child’s mother seeks the assistance of a spiritual medium.
Wei Hongren's ex-girlfriend
This romantic comedy is about a loser practicing how to “LOVE”.
An architect returns to his hometown to build a new development. While there he realizes the value of the traditional buildings threatened by development.
Screenplay
After years toiling in bit-parts, an actress finally gets her break with a leading role in a spy thriller. The part is challenging, not least because it calls for explicit sex scenes, and the director is often hard on her. But both the industry and the press think the results are sensationally good.
Nina Wu
After years toiling in bit-parts, an actress finally gets her break with a leading role in a spy thriller. The part is challenging, not least because it calls for explicit sex scenes, and the director is often hard on her. But both the industry and the press think the results are sensationally good.
Sung Ying
Thief Fei Long witnesses a rape in progress and flees the crime scene. Day by day, his sense of guilt builds up until he once again meets the foreign female caretaker from that fateful night . . .
Tang Ning
Madame Tang colludes and mediates between the government and the private businesses for the benefits of her all-female family. One case does not go according to plan, and an entire family close to Madame Tang fall victim to a gruesome murder. Ambition, desire and lust eventually change Tang's relationships with her own family forever.
Lien Ching
Two illegal Burmese migrants fleeing their country’s civil war find love with each other while struggling to survive in the bustling cities of Thailand.
Monica
Sanmei
A young farmer and his father are barely able to survive on their meagre corn harvest and so they make their way down from the mountains to the village to borrow money from their relatives working in jade mines or on opium plantations. But missing paperwork, deceit and corruption have left them impoverished too. Finally, the father pawns his cow for a moped so that his son can earn a living as a taxi driver. His first customer is Sanmei, who has returned to Myanmar to bury her grandfather. She decides not to go back to China and to get out of an arranged marriage in order to begin a new life with her son in her old country. When Sanmei accepts a job as a drug runner she persuades the young farmer to be her driver.
Sanmei
Simple, yet complex. A man (favourite actor Wang Shin-hong) meets a woman (standard actor Wu Ke-xi) on a moored ship, a sort of floating palace decorated like a Buddhist temple. The woman or her spirit struggles with her memories and the man takes on the form of a Buddhist monk in his next life. Complex and yet simple. The man, the woman and the camera move gracefully 'dancing' through the space. Only the thought of escape.
Sanmei
Arranged by a smuggling syndicate, A-Hong and his young teen sister along with a group of Burmese youngsters sneak across the Myanmar/Thailand border and arrive in a remote town called Dagudi in Northern Thailand. A-Hong's sister is taken away by the gangs as her mother has sold her to them. A-Hong goes to Bangkok and works under a tour guide, a wildcatter from Myanmar who has lived in Thailand illegally for years.