Adapted from a sex-stuffed cult novel, LALAPIPO (a play on the phrase “A Lot of People”) follows divergent seedy strands of sexual and narrative spaghetti through the sticky Tokyo night. There’s a chubby freelance writer who’s so obsessed with masturbating to the sound of his upstairs neighbors going at it that he forgets to deal with his own love life and when he finally does have sex he is immediately filled with self-loathing. The upstairs neighbor’s story then splits off like an amoeba: she’s an office lady seduced by a “talent scout” who is falling down the sex industry ladder, moving from hostess, to massage girl, to private karaoke attendant. The talent scout’s story then splits off and runs in its own direction, revealing the sorry state of this young pimp’s soul. From there, the movie takes more and more time to consider the lives of more and more characters until the entire Japanese sex industry is filled with the wailing of lost souls.
There once was a hospital where patients and even doctors & nurses were all weird. Above all, Onuki, a patient who built up his company all by himself from scratch, is a super cranky old man. One day, he meets up a girl called Paco, who cannot retain memory beyond one day due to a car accident. She is reading the same picture book everyday. Onuki starts bonding with Paco after some incident, and begins to doubt his way of living. He starts wanting to do something for Paco with his remaining life, and comes up with a brilliant idea. This pleases Paco, but their fate is?
3 sisters run a cafe by day, but at night work as professional thieves. The girls then learn that a yakuza group is trying to takeover the properties owned by the retailers in their neighborhood and they plan to stop them!
