Editor
The speculative tale of Canadian outsider musician Lewis and the belated discovery of his 1983 album "L'Amour". A love story composed in myth and song.
Screenplay
The speculative tale of Canadian outsider musician Lewis and the belated discovery of his 1983 album "L'Amour". A love story composed in myth and song.
Producer
The speculative tale of Canadian outsider musician Lewis and the belated discovery of his 1983 album "L'Amour". A love story composed in myth and song.
Edward
The speculative tale of Canadian outsider musician Lewis and the belated discovery of his 1983 album "L'Amour". A love story composed in myth and song.
Director
The speculative tale of Canadian outsider musician Lewis and the belated discovery of his 1983 album "L'Amour". A love story composed in myth and song.
Producer
A virtual love story set in Vancouver, New York, and the dying world of a massively multiplayer online role playing game.
Editor
A virtual love story set in Vancouver, New York, and the dying world of a massively multiplayer online role playing game.
A virtual love story set in Vancouver, New York, and the dying world of a massively multiplayer online role playing game.
Cinematography
A virtual love story set in Vancouver, New York, and the dying world of a massively multiplayer online role playing game.
Writer
A virtual love story set in Vancouver, New York, and the dying world of a massively multiplayer online role playing game.
Director
A virtual love story set in Vancouver, New York, and the dying world of a massively multiplayer online role playing game.
Producer
A young man finds himself oscillating between the dreams, premonitions, and thoughts belonging to a series of enigmatic women in New York City.
Thanks
It is deep autumn — I wonder I never thought I'd be lost and searching for one warm, friendly smile — but I got me some people and I know that they love me And I know just where to look this time. "Here is my music. It is all I have to tell you how I feel. Know that your love keeps my love strong." —Stevie Wonder
Leo
Cinematography
Director
Camera Operator
I go to Movieland at least once a week, every week, for the last five years to sink some quarters into the games and the Movieland movie is an accumulation of the friends, lights, textures, and narratives that I have experienced in that time. I love Movieland!
Producer
Based on the novel by Leo Perutz, a young man is handcuffed and explores spaces around a universal city.
Editor
Two circles move in not-quite unison; a camera tracks a car which, later, tracks a track, all forced contact and slow speed, velocity crying out for inertia like friendship, a time apart in the digital flow of perpetual motion to talk and listen and know, where history sits calmly and speaks slowly as a tangent-you have to pick precisely the right angle, as he picks precisely the right word, and stick with it, and, again, listen-to these online concentricities as it gradually reveals that what from one distance looked sturdy is, from in fact the same distance but different light, a mess in constant need of untangling (And so you see that Walter Benjamin's Angel has no choice but to turn his back to the future.) and that in the face of this monumental facing up, literal project of lifetimes, there is absolutely nothing but love.
Camera Operator
Two circles move in not-quite unison; a camera tracks a car which, later, tracks a track, all forced contact and slow speed, velocity crying out for inertia like friendship, a time apart in the digital flow of perpetual motion to talk and listen and know, where history sits calmly and speaks slowly as a tangent-you have to pick precisely the right angle, as he picks precisely the right word, and stick with it, and, again, listen-to these online concentricities as it gradually reveals that what from one distance looked sturdy is, from in fact the same distance but different light, a mess in constant need of untangling (And so you see that Walter Benjamin's Angel has no choice but to turn his back to the future.) and that in the face of this monumental facing up, literal project of lifetimes, there is absolutely nothing but love.
Producer
Two circles move in not-quite unison; a camera tracks a car which, later, tracks a track, all forced contact and slow speed, velocity crying out for inertia like friendship, a time apart in the digital flow of perpetual motion to talk and listen and know, where history sits calmly and speaks slowly as a tangent-you have to pick precisely the right angle, as he picks precisely the right word, and stick with it, and, again, listen-to these online concentricities as it gradually reveals that what from one distance looked sturdy is, from in fact the same distance but different light, a mess in constant need of untangling (And so you see that Walter Benjamin's Angel has no choice but to turn his back to the future.) and that in the face of this monumental facing up, literal project of lifetimes, there is absolutely nothing but love.
Director
Two circles move in not-quite unison; a camera tracks a car which, later, tracks a track, all forced contact and slow speed, velocity crying out for inertia like friendship, a time apart in the digital flow of perpetual motion to talk and listen and know, where history sits calmly and speaks slowly as a tangent-you have to pick precisely the right angle, as he picks precisely the right word, and stick with it, and, again, listen-to these online concentricities as it gradually reveals that what from one distance looked sturdy is, from in fact the same distance but different light, a mess in constant need of untangling (And so you see that Walter Benjamin's Angel has no choice but to turn his back to the future.) and that in the face of this monumental facing up, literal project of lifetimes, there is absolutely nothing but love.
Director
Four cinephiles in a hotel room in the middle of the night ruminate on La última película, Dennis Hopper, and the state of cinema.
Himself
With everything is embarrassing, director Kurt Walker appropriates a self-shot living room hangout for a recounting of a friend’s night out at a club that ended in heartbreak and disappointment, culled from the story’s original telling in a Skype conversation between the two.
Director
With everything is embarrassing, director Kurt Walker appropriates a self-shot living room hangout for a recounting of a friend’s night out at a club that ended in heartbreak and disappointment, culled from the story’s original telling in a Skype conversation between the two.
Editor
Set in the aftermath of a large-scale disaster, a small group of people remain behind in search of lost sons and new worlds. Two lovers, River and Lill, fend for the future of their bond whilst mysterious entities stalk the countryside, hungry for humanity’s lifeforce.
