Sanaa Gamil

Sanaa Gamil

Birth : 1930-04-27, Egypt

Death : 2002-12-22

History

Sanaa Gamil (Arabic: سناء جميل‎), born Thoraya Youssef Atallah (Arabic: ثريا يوسف عطالله‎) (April 27, 1930 – December 22, 2002), was an Egyptian actress. Born to a Coptic Orthodox family in Minya Governorate, she moved to Cairo to pursue her acting career and changed her name to Sanaa Gamil. One of her most notable roles was Nefisah in front of Omar Sharif in the movie Bidaya wa nihaya (A Beginning and an End) directed by Salah Abouseif in 1960. The movie was based on a novel with the same name by the Nobel Prize winner Naguib Mahfouz. Sanaa Gamil won the best supporting actress award at the Moscow Film Festival in 1961 for her role in this movie.[1] Not only a movie actress, but more importantly one of the best Egyptian theater actresses. She has also played a number of roles on the French Stage for La Comedie Francaise. She was married to the famous Egyptian journalist Louis Greiss and had no children. She also acted in a number of TV series like Oyoun (Eyes) with Fuad Al Mohandes, and in a number of plays such as The Visit with Gamil Rateb

Profile

Sanaa Gamil

Movies

Smile, The Photo Comes Out Better
Sayed's Mother
Photographer Sayed Gharib leaves his hometown and moves Cairo to be close to the Faculty of Medicine that his daughter Tahani attends. Tahani clashes with the aristocratic society around her as love blossoms between her and the son of a famous businessman
Sawwaq el hanem
A Lady of the royal family live and breed on the ruins of the past, her husband, son and daughter suffering from her domination and control. When she got a new driver to work with, all the family members will have different life.
Mr. K
In villa Sonsen, a wealthy woman named Kismat Hanim lives with her relatives: her brother-in-law Kamel, his son, the singer Fouad, her business manager Qadri and her secretary Laila. Kismat has a spoiled dog that everyone is forced to serve and they all compete to do it.
La dame du Caire
In 1990, Moumen Smihi briefly re-located to Cairo in order to work in the shadow of one of the world’s largest commercial film industries. The film that resulted from his Cairo sojuourn is a complex, painterly critique of the Egyptian musical and cinema star system. At the same time, the film shows the divergent states of possibility or despair faced by men and women within a changing Egyptian society. Smihi’s film plays out over thirty years and the events of the Nasserite years and the Palestine / Israel conflict become integral to the narrative. By blending newsreel footage with his own lush cinematography, Smihi creates a complex portrait of contemporary Egyptian society in the post-war years.
The Basement
In the basement of an apartement, a mother and her growing son and daughters strive to live in the middle of Cairo, and the growing ambition of the young women that led to catastrophic events.
Nessa Khalf Al Qodban
The film revolves around "Nadia" who refuses to marry lawyer "Hatem", who covets a rich marriage, while "Laila", who is assisted by her father and a great lawyer in his research, is impressed by Youssef, who owns a film company, decides to work with him.
Al-Majhoul
Om Nagy
At an isolated Canadian area Madiha lives with her mother; they run a small motel after they immigrated from Egypt when the mother got divorced. Madiha doesn't know that she has a brother in Cairo named Nagi, And she hate the way they make their living by sedating the few customers who arrive to the motel, steal their money and using their deaf/mute servant to get ride of the bodies in the near by lake. Nagi arrives to Canada after his father dies trying to locate his mother and sister, he arrives to the motel and checks in hiding his personality trying yo get to know his mother first and understand why his father didn't want him to have anything to do with her..
Al-Shakk ya Habibi
Baheega
Dr. Rabab is the wife of businessman Abdul Rahim, their routine life is disturbed by the nosy Bahiga, Abdul Rahim's sister, who interferes in everything. When Rabab becomes pregnant after several years of infertility,Bahiga drives her brother to doubt if he's the father.
توحيدة
The Message
In sixth century Mecca, Prophet Mohamed receives his first revelation from God as a messenger. Three years later, he's not alone in his quest and publicly declares his prophecy. Mohamed is fought by Abu Sufian and his wife Hind, rulers of Mecca. Mohamed's followers are hunted and tortured but he continues his calling.
Back Streets
Several models of Egyptian citizens are introduced during the British occupation, from Shukry the army officer who refuses to shoot at student demonstrations, Saad who engages in political activity against the British occupation, to Abdel Azis who loves Raja, the dancer.
الشيطان والخريف
Naim, who decides to take revenge on Narges' widow, Wasfi, who caused him to be imprisoned, so he makes an agreement with Dalal in order to plan to seize Narcissus’s money. Her money to him, but he discovers it's not easy at all.
The Second Wife
Hafiza
A story in the Egyptian countryside about an unjust mayor who controls everything in the village with his power.
Dawn of a New Day
The story of a 40-year-old married woman who has fallen into idleness and does not know how to approach the revolutionary events in her country. She finds a new meaning in life when she falls in love with an aspiring young student. “I shot FAGR YOM GUEDID in 1964. I count it among my best films and still stand by it completely. It is about the class whose assets were nationalized after the 1952 revolution. I explored the question of whether this class still had a place in Egyptian society.”
A Beginning And An Ending
A film that portrays the lives of the members of an Egyptian family: three brothers, their sister Nefeesa and their mother after the father’s death. They all go in different directions which aren't exactly good.
I'll Never Cry
The family of Abu Taqiyya holds the hostility to the pasha who obtained their land from a public auction. This pasha has a daughter who falls in love with an agricultural engineer, and one of her relatives is trying to marry her in the greed of her father's money.
نساء في حياتي
Ahmed Awad Najjar Isami, who ended up with a grand workshop owner in which dozens of workers work, he meets with Tuha, a girl he saw growing up in his neighborhood and attached to it, and he dreamed of it, but she does not exchange love, and then he loses his wealth, as a fire breaks out in the workshop and he comes over it, and then Ahmed meets Sana in the hospital to which Ahmed is taken after he was injured in the fire, and at the same time Ahmed loves tohave violently, and with the same violence Nana protects him, and Sana loves him.
Ismail Yassine at the Wax Museum
سامية
The police officer, who discovered the gang but was not arrested because they knew of his discovery and was killed, the gang is a gang based on stolen antiques and statues from museums, The shop is working to bury the statues.
Ya Zalemni
On a train, a teacher meets the collector who enters his compartment and has an attack and the teacher thinks that he killed him by accident. He escapes and meets his daughter and tries to atone for what he thinks he has committed, and he helps her become a famous singer.
Belal Moa'zen Al-Rasool
زوجة المرابي اليهودي
In a historical story, the film narrates the life story of Bilal bin Rabah, the great muezzin who suffered a difficult life and great torment until the emergence of Islam and the most famous of his Islam at the hands of the Prophet, may God bless him and grant him peace.
Money slaves
فتاة المنحلة بالكباريه
Wahid and Mansour are friends, working in a drug trafficking gang, but Mansour is charged with murder and is sentenced to imprisonment. Before going to jail, he asks Wahid to watch over his wife, and he leaves his money with him. But Wahid betrays his trust, he spends his money and cheats with his wife.
Ana Wi Habibi
Fake Lover
The young Mounir (Mounir Mourad), a talented artist, tries to take advantage of his unique talents, but he faces many difficulties in order to find his way. These difficulties disappear when he falls in love with a famous (Shadia) singer who exchanges feelings of love, and attaches him with her to work in the club where she sings. The nightclub manager interferes to spoil this relationship because he covets marrying her, and her aunt also opposes their relationship. The events follow and the two lovers are exposed to many pressures in order to maintain their love.
Have Mercy
Ismail and Abdo work at an antiquities shop. One day, they bring a box with a mummy inside. They are watched by a man who claims to be an archaeologist, but it turns out that he has a devilish plot that will get Ismail in big trouble.
The Lady on the Train
Afaf
Famous singer Fekreyya Fawzy is married to Farid, a man devoured by gambling. While traveling by train, Fekreyya has an accident. Her husband orders that she hide herself so he can get the insurance money needed to cover his debts.
Good News
نورا
Sanaa is the daughter of Mukhtar Pasha, a young woman who prefers to marry Susu Beek, one of the sons of the high class of her father's friends, and her father welcomes this, but she refuses to marry because she loves Hussein Her father, Khateeb, discovers that Soso is in agreement with the director of the company to rhythm between them, and one of the dancers is called to pretend that she is the wife of the engineer and the events and surprises follow.