Georges Hubert

Two people, a Frenchman Julien Maroyeur and a Jewish German woman (Anna Kupfer) met on a train while escaping the German army entering France.

Two French paras who had lived through deadly situations in Algeria, meet again in civil life. Frapier is a newspaper reporter, and one day finds his friend Porte - surrounded by the police after a car theft, and an accidental killing of a police officer. He helps him escape, and provides shelter with the complicity of his girlfriend Vera. Later, Frapier will have doubts about Vera's love, and lives a passionate night with beautiful Arabelle. However, he finds himself playing a game of life and death both with Vera, and Porte. It will end in sadness for one, and death for another.

Bernard Sommet has killed his wife and her lover and he declares that was a crime of passion. Sylvie Foucot, his court-appointed attorney, not only believes him but falls in love with him. But the examination magistrate is not convinced. For his part, he leans towards premeditation. Whether Sommet premeditated his act or acted out of anger and jealousy will be up to the court to decide.

Millionaire Victor Danemore, living on the French Riviera, dies suddenly of a heart attack. His secretary, Dave Bishop, wants to know more about his employer's life. Surprisingly, not even his young wife knows anything about her husband's background or how he earned his fortune. Clues lead Bishop to Vienna and Stockholm, where he learns that Danemore was blackmailing people who cooperated with the Nazis during World War II.

Philippe Perrin, a young engineer passionate about his work, leads the construction of a huge dam in the High Alps. Like all the men who work on the building site, he gives the best part of himself. Unfortunately, his health deteriorates but he refuses to follow the doctor's orders as well as the advice of Micheline, a young nurse who has fallen in love with him. However, driven by the evolution of his illness, Philippe finally makes up his mind to go down to the valley for a treatment. On the very day of his departure though, a young Arab worker gets killed in a rock crusher...

Norwegian film's great charmer, Frank Robert, plays an associate professor and bachelor whose waking desire for life brings him to Paris, where he breaks free.

Mado loves Henry but is coveted by Bob Torquella, a dangerous gangster. The latter, mad with jealousy, is prepared to do everything to get rid of Henri. He and his accomplice involve him in a dangerous robbery. Henri is hurt and arrested by the police. But the young man, a weak character, denounces his accomplices. Two years later, the two gangsters run away from prison. Bob finds that Henri and Mado are husband and wife and have a daughter. In a panic, Henri runs for cover.

After being hurt in the face, Count de Roger Tinchebraye is forced to hide his disfigured face behind a leather mask. Dispirited for a while, he decides to become a Casanova-like seductor. When he meets true love, cynical Roger does not believe in it and lets pure Judith marry an old marquis. But once Judith's husband dies, he sees Judith again, shows her his disfigured face, which does not discourage the young woman from loving him. Nevertheless, he distances himself from her forever

MS Lidvard was shipping corn from Vietnam, arriving in Dakar, Senegal May 30th 1940. The ship was immediately held back by the government, together with eight other norwegian ships. After a year, July 27th 1941, the ship fled from Dakar, to the British in Freetown, Sierra Leone.

This Government-commissioned documentary was intended to reflect the modernisation of French industry. However, in Franju’s hands it became an ode to fire and a fascinating portrayal of industrial architecture.

A Canadian sailor becomes a fugitive for love after a night with a woman in Marseille.

Guillon, a young administrator is appointed by the French government in Ivory Coast to replace the former one, who has been assassinated. He is soon confronted to a caste oppressing the local peasants. By joining forces with the doctor and engineer he manages to restore calm. The oppressors then try terror. But the administrator refuses to be intimidated, and with the support of the natives, will be able to avenge the former administrator.

An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby slaughterhouses. Describes the fate of the animals and that of the workers in graphic detail.

On the borders of the desert, Péhu, a rather blunt creature on the verge of death, confesses to Charles Sigouane that some time before he stole and killed for the sake of a woman named Marie. Péhu recovers against all odds and returns to France with a view to finding Marie and to retrieve a loot he has hidden somewhere.

When Monsieur Crauqual, the supervisor, is found hanging, all wonder why this rather rich person decided to kill himself. And when a pupil is found hanging too, François and his friends decide to investigate. They are certain there is a killer within the walls of Collège François 1er and determined to prevent him from going on running wild.

Happily married to Sandrine, Pierre Fouques also known as Raboliot is the father of two young children. He would live a steady life hadn't he a passion for poaching, which gets him into a lot of trouble. Because of the nastiness of Bourrel, the gamekeeper, of the jealousy of other poachers, he becomes a hunted man who, in order to defend himself, is driven to commit a crime.

The Marquis de Barfleur, an unattractive man, decides to resort to plastic surgery to ensure the fidelity of Colette, his young mistress. Now endowed with a face to die for, he is about to achieve his goal. But the Marchioness de Barfleur, the Marquis' loving wife, does not hear it that way. She has her revenge claiming everywhere that her husband is... dead! An assertion people believe since they do not recognize the Marquis! When her vengeance has lasted long enough, she forgives the Marquis and husband and wife fall into each other's arms.