Micaela Solé

Between 1950 and 1952, the Uruguayan essayist, critic and writer José Pedro Díaz created a film diary with images that display a range of diverse interests: social observation, the portrait of the artistic-intellectual community in Europe and a look at domestic cinema from travels, portraying his wife, the poet Amanda Berenguer. As a perfect complement he also had a literary diary. Both form a unique testimonial chronicle: how to read the script and see what was filmed. This documentary deals with that lesser-known area of Díaz's work.

Uruguay, 2045. Yerba mate is prohibited. Two illegal vendors travel to Paraguay to smuggle weed. On this journey they become accidental heroes as they return to the people their lost identity.

Through the years and from a very intimated point of view, this is the story of the adaptation process of two Syrian refugee's families to a faraway country called Uruguay, they completely disown.

Driven by childhood memories and the hope of a reencounter, Sarah visits her paternal grandmother in her village in Uruguay. She takes long to understand the prevailing unease… But she is soon faced with the gap between her fantasy regarding the place of origin and that village of old people forgotten by Modernity where the heat is overwhelming and the days seem to last forever. Cultural shock, humor, tenderness and sadness give shape to this bitter-sweet film.

An emotional visual portrait starring fans of the most important melodic singer-songwriter that Uruguay had, the founder and leader of Los Iracundos, Eduardo Franco.

Crowds is a feature documentary that records popular events of Uruguay where thousands of people gather spontaneously, called by faith, passion, celebration and memory. What happens when we set aside our individuality to act collectively? This documentary observes the passions that draw thousands of people close in order to join in a choral character. It discovers the crowd while it transgresses and experiences catharsis, while it seeks miracles and hopes; in continuous movement it splits and rejoins... until they dissipate and individuals re-emerge in their own solitude.

Miguel Ángel García Mazziotti, a Río de la Plata's decadent showbiz gay figure, receives the visit of his daughter Virginia, of whom he has been distanced for years. "The Fat", as everybody calls him in Punta del Este, openly rejects her visit, but when realizes will become a grandfather he can't help getting thrilled and celebrate Virginia's happiness. As a result they share a real familiar weekend that, as many families, to be happy it has to be fake.

Leandro and Silvina, a young and successful middle-class couple, are experiencing the happiest time of their lives. But the sudden appearance of Leandro's daughter from another relationship, destabilizes the couple revealing hitherto unknown differences.

Gastón (Jorge Temponi) is very attached to technology and is still in love with an ex-girlfriend who left him. He inherits an old house from his grandfather far from the city and must travel there accompanied by Américo (Carlos Frasca), a clerk somewhat depressed by his old age. The driver and owner of the truck in which they travel is Beto (Jorge Esmoris), a carrier with a somewhat murky past. The place where they are going was visited by the English naturalist Charles Darwin in 1833, where he collected fundamental information to later develop the theory of evolution.

Juan's life gives an unexpected twist when the laboratory for which he works announces his dismissal. Faced with the difficult economic situation of the country migrates from Montevideo to Barcelona. There he meets Mariano, an Argentine friend of the fanfare that dreams with Hollywood while cleaning tables and Julia, a young student who works as a waitress. Thanks to them, he manages to get integrated in the city and to see nearer the dream of bringing together his family. But Juan will soon discover that what he wants is, closer to him than he could ever have imagined.

Olga, Teresa and Pilar have been friends since they were born. For years they vacationed together with their parents, and later together on their own. A few years ago, Teresa got married, and for some years they didn't see each other as much. Teresa's divorce prompts a reunion, so the three of them rent a small house for the weekend. In their first day together, it becomes obvious that everything they share is in their past. They have grown apart.

After being fired from his job, Norberto tries his luck as a real estate agent, but he doesn't tell his wife right away. His new boss advises him to take an assertiveness course to overcome his shyness, and Norberto starts taking classes in an acting workshop for beginners. While he works toward the quarterly festival, Norberto fails to get his wife and clients to believe anything he says, but he finds out he is very good at lying to himself.